WEEK IN GEEK: For once, both D. and Andrew are playing new games at their release! Andrew shares his experience diving in to the buggy but compelling world of Bethesda’s foray into MMO gaming with Fallout 76 while Dan finds a groove playing Rockstar Games’ Red Dead Redemption 2 and finds himself getting lost in it.
D. Bethel’s “Spotlight: ‘Masterpieces’ Are Better With Flaws.” (04 April 2018) Where D. discusses that, sometimes, games with a lot of ambition but sometimes questionable execution are better for the medium and culture than games that get it “right.”
E3 2018: This year’s Electronic Entertainment Expo has wrapped up and has brought a lot of conversation around the games announced and/or shown at the show. Andrew and D. talk about E3 as an expo/convention and the target it seems to be aiming at for the future as well as games they saw and were intrigued or excited by (including Ghost of Tsushima, Death Stranding, Cyberpunk 2077, and, yes, Fallout 76). Let us know your thoughts about the games from this E3, if you’d like––we’d love to hear what you thought of this year’s show.
AN OPEN WORLD: With Bethesda’s surprise announcement of the still ephemeral Fallout 76, video game-focused documentarians, NoClip, announced that they will be doing a series covering the development of this new game. They started, however, with a comprehensive look at the history of Bethesda studios. After watching the documentary (embedded below), both D. and Andrew realized how far the studio has come, how big it has gotten, and how much of an impact this quirky company has made on gaming as a whole.
Shortcast 49 – The Sweet Beats: Where Andrew and D. Bethel talk about Fallout 4, also the RELATED EPISODES of this episode contain a comprehensive list of the other times Fallout 4 was discussed on the show.
WEEK IN GEEK: D. Bethel looks at DC Comics’ retrospective of Jim Lee’s Wildstorm Studios, Wildstorm: A Celebration of 25 Years, and is completely underwhelmed by their effort while Andrew ponders the considerate world-building of Bethesda games as he dives back into The Elder Scrolls V: Skyrim Special Edition.
And, for those that are dying to know the reference, here is the cover to Elder Scrolls: Arena (all apologies):
WEEK IN GEEK: Andrew attends Seattle’s BrickCon and is intrigued by not only the affordable prices of hard-to-get sets, but also the creativity of independent LEGO builders, while Dan gives his impressions on the pilot episode of Fox’s new tv show based, ostensibly, on their cinematic X-verse, The Gifted.
WHAT A THRILL: Andrew, inspired its free status for PS Plus subscribers this month, re-downloads Metal Gear Solid V: The Phantom Pain and gets poisoned by Venom Snake all over again, two years on.
NOT MY AMERICA: Swedish developer, MachineGames, and their parent company, Bethesda, are ramping up the marketing for their upcoming, hotly anticipated sequel, Wolfenstein II: The New Colossus, and their tact has made a certain demographic very displeased.
WEEK IN GEEK: The guys are again on the cutting edge of entertainment as Andrew begins playing Skyrim (albeit the Special Edition that was released for current platforms last year) while D goes all the way back to 2006 and plays Final Fantasy XII: The Zodiac Age (albeit the recently released HD remastered version).
DOCTOR NEW: After speculation accruing since Peter Capaldi announced he would be leaving the lead role of Doctor Who earlier this year, the BBC announced his replacement, Jodie Whittaker. And the internet went wild. (Time Stamp – 38:38)
WEEK IN GEEK: Andrew watches through the first season of the hit Starz show, Ash vs. Evil Dead while Dan plays through the 2014 Bethesda game, Wolfenstein: The New Order, the reboot of the classic first-person shooter Id franchise.
KEEPING SCORES: It was announced this week that Danny Elfman has been hired to compose music for the upcoming DCEU movie, Justice League, after the original composer, Tom Holkenborg (aka Junkie XL), amicably left the project. Dan and Andrew discuss the expectations for an Elfman score in a modern superhero cinema context, and discuss their thoughts on film and televisions scores in general.