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News Blast: New Releases for The Last Jedi

News Blast: New Releases for The Last Jedi

Although old news for just about everybody, Lucasfilm released a new trailer for the upcoming film in the Star Wars franchise, Star Wars Episode VIII: The Last Jedi. [Note: Your guess is as good as mine as to how many colons belong in that title. I’ll leave that for Dan to determine at a later date.] As with any Marvel/Disney/Lucasfilm trailer, there’s a lot being packed into two minutes and thirty-four seconds. For those that missed it, here it is:

I’m not really here to make any major speculation or draw any conclusions from this trailer. As a lot of people on the internet have already pointed out, there is a significant amount of clever cutting and editing. Any conclusions that you may draw from the trailer are entirely speculative (unless your conclusion is, “These people are in this movie”).

However, there is one thing from the trailer that has also appeared in several other forms of advertising media that has turned a few heads and gotten a few people talking: Luke Skywalker in various stages of “looking like a bad guy.” In the trailer, some attentive fans have looked at 1:47, where a defeated (and wet?) Luke says, “This will not go the way you think.” Others have referenced 1:53, where a wet Rey confronts what appears to be Luke in his grimdark outfit. [Note: we’re not entirely sure what wetness has to do with it, but it may be important.]

Of course, a few seconds of a trailer never amounted to anything. Don’t worry, because Lucasfilm did not stop there. Shortly before the release of the trailer, Lucasfilm released the new poster for the movie. It features everything one would expect from a movie titled, “The Last Jedi.” All the characters locked in seemingly action poses. A couple of lightsabers. Lots of … red? Judge for yourself:

Apparently, the primary color being used here is “Sith Red.”

Fans of Star Wars posters have noticed a certain theme that appears throughout a number of the posters. It is typical for a villainous character to appears in the background, behind the rest: Episode 1 – Darth Maul; Episode 3 – Darth Vader; Episode IV – Darth VaderEpisode V – Darth VaderEpisode VI – Darth VaderEpisode VII – Kylo Ren. Certainly, it’s nothing definitive, especially since in half of those cases, the villain pictured is not main villain of the story. But, it’s another thing that have drawn the attention of fans.

And let’s not forget about the IMAX Standee, also released last week.

Big movie requires big standee.

The standee, which is cleverly divided into “good guys” on the left and “bad guys” on the right, also happens to feature one character on both sides: our man Luke Skywalker, again. We could go on with this, but it’s just speculative absurdity at this point.

What does it all mean? Apparently, we’re meant to believe that Luke is playing both sides in this movie. Or not? It’s never really clear. Teasing the fanbase is something that Lucasfilm (or, more appropriately, Disney) has turned into a veritable art form and a standard operating procedure. At this point, the only thing we know for certain is that a lot of people are going to go see the new Star Wars movie in mid-December.

News Blast: Three X-Films Announced for 2018

News Blast: Three X-Films Announced for 2018

Courtesy of 20th Century Fox.

An article filed by The Hollywood Reporter revealed that 20th Century Fox has slated three movies set in its own X-centric (no pun intended) universe for 2018. While not the biggest of surprises, it at the very least hints at a big push by the Marvel Studios competitor for a larger share of superhero cinema profits. Hot on the heels of an announcement regarding Fox’s other major franchise investment––James Cameron’s Avatar series––revealing their release dates for the next three sequels, Fox confirmed that their blockbuster season will start with the newest entry into Fox’s X-world, and one that is a bit of a gamble at that.

Cover for The New Mutants, issue 1. Art by Bob McLeod. Courtesy of Marvel.

The New Mutants

Announced to open on April 13, 2018, The New Mutants is in pre-production at the moment with Josh Boone (The Fault in Our Stars) directing. The spring release date is a safe one as it allows it to miss much of the summer and winter blockbuster melodrama. This movie has had a lot of speculative casting in the news over the last few months, no doubt gearing up some excitement for a series of characters relatively unknown to the greater populace. The New Mutants were introduced in 1983 as the first major spinoff to the X-Men, bringing back the original conceit: a team of teenaged mutant heroes lead by Professor X. The movie is based on the early issues, specifically on a storyline called “The Demon Bear Saga,” that are well-regarded by fans and critics. The New Mutants eventually became a fertile playground for the notorious Rob Liefeld, who introduced characters like Cable, Deadpool, Domino, and Shatterstar, among others, in its pages. The series ended with issue #100 at which point the series was renamed X-Force. With an X-Force movie desired by the Fox bigwigs, they may be viewing The New Mutants as a stepping stone for that eventual film.

From the Deadpool 2 teaser shown in front of Logan. Courtesy 20th Century Fox.

Deadpool 2

The hotly anticipated Deadpool 2 will follow with an early summer release on June 1, 2018. Summer is big business for blockbuster movies and Fox is clearly betting on the hope that Deadpool will be a contender (which it will very likely be). More importantly, it will be released just under a month after Avengers: Infinity War opens and a little over a month before Ant-Man and the Wasp debuts, placing it firmly in the middle of what Marvel is guaranteeing to be their summer (DC/Warner Bros.’s Jason Momoa-led Aquaman will be opening in July as well, making it a very busy season indeed). In contrast, the first movie was such an underdog contender, it was released at one of the slowest box office points of the year––February––so the new release date definitely shows the confidence the studio has in the character and its creative team. Deadpool 2 recently made the news rounds with the rather surprising casting news that the MCU’s own Josh “Thanos” Brolin will be playing Deadpool’s time hopping straight-man, Cable, which paved the way nicely for this scheduling announcement. As mentioned on the site previously, even though Deadpool 2 has had its share of hiccups during pre-production with the exit of original director, Tim Miller, and taking with him original composer, Tom Holkenborg aka Junkie XL, the studio filled the open seat with John Wick director, David Leitch, and things are moving full steam ahead.

Jean Grey (Sophie Turner) &  the Phoenix Force in X-Men: Apocalypse. Image courtesy of 20th Century Fox.

X-Men: Dark Phoenix

Finally, the next ensemble X-Men film, X-Men: Dark Phoenix, has been given an opening date of November 2nd, 2018. This is perhaps the most surprising film in the announcement. With the critical and financial wobble that X-Men: Apocalypse had last summer, the future of the franchise was in question among critics and fans while the studio was also being rather quiet. Secondly, while both long-time X-Men director, Bryan Singer, and long time X-Men writer/producer, Simon Kinberg, have hinted at different directions to go with the next film, the reveal of the title in this announcement solidified their direction and ended much speculation since “The Dark Phoenix Saga” is likely the most famous X-Men storyline in its history. One can assume that Game of Thrones star, Sophie Turner, will reprise her role as Jean Grey, but it leaves fans to wonder how much of the other cast will return considering the slapback X-Men: Apocalypse received. While winter is not nearly as fiscally important a season as summer, it is the second largest period for income-generation with, in the past, large franchises like Lord of the Rings and Harry Potter opening in November or December. Given the current slate of Marvel Studios and DC/Warner Bros. movies, it looks like, for now at least, X-Men: Dark Phoenix may have fairly light competition. Currently, Simon Kinberg is the favorite to direct, which would mark his feature directing debut, taking the helm from Bryan Singer. This film stands to be the most interesting of the three, as we wait to see how the success of experimental films like Deadpool and Logan influence the overall tone and approach to the now 17 year-old franchise.

While such an X-heavy year may point at a renewed interest in creating a shared universe between the films––that is a natural response to this type of schedule since it is basically what Marvel has done to establish its own––that is probably more speculation than likelihood. If we can pull anything from this schedule it is that despite the public lashing X-Men: Apocalypse took, and with the success of Deadpool and Logan, Fox is willing to put more faith and muscle behind their Marvel franchise in the face of Marvel Studios’ general dominance in the last decade. This is important because, in the wake of that cinematic giant, Fox seems to be finding its own path and voice and is making a different animal rather than just playing in the shadow of what’s been done before, and the new ideas that Fox has recently brought to the table are things that people seem to enjoy. With hope they keep experimenting and help keep the superhero movie genre on its toes in general.

News Blast: Star Wars Celebration 2017!

News Blast: Star Wars Celebration 2017!

This weekend was Star Wars Celebration Orlando, the twelfth instance of the Star Wars Celebration experience. Star Wars Celebration is usually an opportunity for fans to get together and talk about their love of Star Wars. Of course, it’s also a great opportunity for the people that make Star Wars to unleash new content onto the world. This year was no different.

Perhaps the biggest news is the revelation of a trailer for Star Wars: The Last Jedi:

The Internet is already abuzz over the release of the first trailer for Star Wars: Episode 8: The Last Jedi. Mark Hamill drives the trailer as Luke Skywalker, providing the overall narration and a lot of heavy context to the “Last Jedi” aspect of the title. It sounds like the film will address the “balance of the Force” theme that first appeared in The Phantom Menace and has been further explored in Season 3 of Star Wars: Rebels. I’ve already spent an undue amount of time trying to determine if Tom Baker found his way on to the cast list, given his role as the Bendu in Star Wars: Rebels. With a release expected this December, there’s already a lot of fan excitement developing for this title.

“Jedi and Sith wield the Ashla and Bogan. The light and the dark. I’m the one in the middle. The Bendu.”

In addition to the Episode VIII trailer, a preview for the upcoming fourth (and final!) season of Star Wars: Rebels was also released:

For those not following Star Wars: Rebels, it is the story of a cell of rebels fighting the Empire that become an essential part of the Rebel Alliance. The show has continued to provide a background for the formative years of the Rebel Alliance, and this final year appears to be no different. Season 3 villain Admiral Thrawn makes an appearance in the trailer (with what appears to be a silly General Veers style helmet) as does Katee Sackhoff’s character Bo-Katan, who was previously seen in Star Wars: The Clone Wars. Forest Whitaker’s character Saw Gerrera also appeared briefly. With regard to thematic content, it appears that they will be addressing both the “balance of the Force” theme and the battle for Mandalore (which was an element of Sabine’s storyline from Season 3).

Probably the only character not featured (despite claims that her fate would be addressed) was Ahsoka Tano. As /Film’s Peter Sciretta points out, showrunner Dave Filoni seemed to tease the audience with a clever t-shirt swap during the Rebels event last weekend.

For not saying anything about Ahsoka during the event, he certainly seems to have said a bunch.

Given everything Star Wars that was unleashed in Orlando, it looks like 2017-18 will be a relatively big year for the franchise.

 

News Blast: Mass Effect Review Round Up

News Blast: Mass Effect Review Round Up

This week saw the release of the long awaited “next title” in Bioware’s popular Mass Effect series: Mass Effect: Andromeda. For any number of reasons, Dan and I are far from the “cutting edge” of video game playing; I have no plans to play the game soon and Dan will start playing it this week.

That being said, the game has attracted its fair share of reviews, commentaries, and discussions. A lot of the internet is abuzz over the game, with many reviews acknowledging the games strengths but also admitting a healthy share of weaknesses. Erik Kain from Forbes even called it the “worst-reviewed game in the franchise.”

No matter how beautiful the planet, somebody has something negative to say…

From IGN‘s Dan Stapleton:

Mass Effect: Andromeda is an expansive action role-playing game with a few great moments that recapture the high points of the landmark trilogy that came before it, and energetic combat and fantastic sound effects contribute to a potent sci-fi atmosphere. Without consistently strong writing or a breakout star in its cast to carry it through the long hours and empty spaces, however, disappointments like a lack of new races, no companion customization, and major performance problems and bugs take their toll.

From Kotaku‘s Patricia Hernandez:

The plot and structure of Mass Effect: Andromeda can be viewed as a metaphor for the game itself, where a population eager for a fresh start makes a leap into a new frontier. The destination isn’t the paradise we hoped for. For our characters, Andromeda required a leap of faith, the belief that the universe must hold more for humanity. Nobody anticipated how much work building a new home would really take, and in a way, the entire game is about mitigating everyone’s disappointment. The truth is that Andromeda itself isn’t the promised land players hoped for either, but there is a lot that’s good in this flawed new frontier for Mass Effect.

From Polygon‘s Arthur Gies:

Let’s be clear: I’m conflicted about Mass Effect: Andromeda. There’s a lot of roughness throughout the game, and the technical issues, while not game-breaking, are often incredibly distracting. But it’s my time with the cast that I’m still thinking about, and the mysteries about the world that haven’t been answered that make me feel like I’m waiting once again for a new Mass Effect game. And if I’m judging a game by where it leaves me, Andromeda succeeds, even if it stumbled getting there.

Being both a sort of prequel and sequel to the original Mass Effect trilogy, it’s understandable that there would be both excitement and trepidation regarding the changes made to the venerated series. However, in at least one case, dissatisfaction with the game has taken a rather dark turn.

Kotaku‘s Ethan Gach reports that Allie Rose-Marie Leost, a woman who worked for EA Games in the motion-capture labs and had been associated with Mass Effect: Andromeda, was the victim of a series of online harassment and threats. Some people appear to be discontent with the animations in the game, somehow identified Leost as a lead animator, and are holding her responsible. The harassment ranges from threats of sexual assault to accusations of her providing sexual services in order to get her job.

This was going to be a screenshot of some of the awful tweets made towards Leost, but I figured it would be much more positive and uplifting to just post a Mass Effect: Andromeda screenshot instead.

After the initial onslaught began, Bioware decided to try and take action to rectify the situation by tweeting that somebody who had been “misidentified as a lead member” of the team was not, in fact, a lead member. It also clarified that she was no longer an employee of EA Games. This has been met with mixed responses from media websites and fans.

More recently, former Mass Effect animator Jonathan Cooper took to Twitter to both oppose attacks made against members of the development team and discuss some of the methods used in animation development. Pointing out the expansiveness of a project like Andromeda and the time limitations associated with the development cycle, his comments provide context for how a few of the more prominent animation mistakes have become the signature video for the game.

First though; going after individual team members is not only despicable, but the culprits and choice of target revealed their true nature. Just as we credit a team, not an individual, for a game’s success, we should never single out one person for a team’s failures. That said, animating an RPG is a really, really big undertaking – completely different from a game like Uncharted so comparisons are unfair. Every encounter in Uncharted is unique & highly controlled because we create highly-authored ‘wide’ linear stories with bespoke animations. Conversely, RPGs offer a magnitude more volume of content and importantly, player/story choice. It’s simply a quantity vs quality tradeoff. In Mass Effect 1 we had over 8 hrs of facial performance. In Horizon Zero Dawn they had around 15. Player expectations have only grown. As such, designers (not animators) sequence pre-created animations together – like DJs with samples and tracks.

Since the game’s release, there has been some discussion about providing some sort of patch or fix for some of the concerns expressed by fans. Ian S. Frazier, the lead designer, has expressed on Twitter that they’re “looking at patching lots of issues and want to strongly support the game moving forward.”

How all of this will affect the game (and, potentially, the critical response) remains to be seen. It does also, however, touch on the growing conversation around the status of high-profile, triple-A games being released in increasingly hobbled conditions (commonly decried as being “unfinished“), requiring either day one patches or, after vociferous fan and critical response, releasing one as soon as possible. Where Mass Effect: Andromeda falls in that conversation is unknown, but time (and sales) may yet tell.

News Blast: Iron Fist Roundup

News Blast: Iron Fist Roundup

With Iron Fist set to come out on Friday of this week, it seemed appropriate to do a quick round up of all the news and reviews that have been circulating in the previous week. For those who have been distracted by other news, Netflix has released the first six episodes of Iron Fist to a number of reviewers and critics. The response has been … less than was perhaps expected.

“He’s not a human. He’s like a piece of iron.” -Ivan Drago. Image by John Gallagher

From Polygon‘s Susana Polo:

Iron Fist’s problems with its portrayal of Asian cultures and Asian-Americans are embedded throughout every episode. It’s just that its problems with delivering exposition, crafting consistent characters, and even basic dialogue writing run right alongside.

From The Onion A.V. Club‘s Danette Chavez:

Had Netflix rolled out Iron Fist first, its unsteadiness would be forgivable; this is a process, after all. But it’s actually the final step before a huge showdown, so it can’t afford to buckle under the pressure. And yet, with all that riding on it, the first half of the season is just a checked box. Filler episodes are one thing, but right now Iron Fist looks like a filler season.

From The Hollywood Reporter‘s Daniel Fienberg:

Iron Fist feels like a step backward on every level, a major disappointment that already suffers from storytelling issues through the first six episodes made available to critics and would probably be mercifully skippable in its entirety if it weren’t the bridge into the long-awaited Defenders crossover series.

From Business Insider‘s Jethro Nededog:

First, it doesn’t live up to the quality of storytelling found in “Daredevil,” “Jessica Jones,” and “Luke Cage.” Plainly stated, “Iron Fist” is boring.

Of course, it is worth remembering that this is based entirely on the first six episodes. Rumors abound that the seventh episode of the series will be extremely violent. The episode has been rated 18 for “Strong Bloody Violence.” Given the stagnant impressions of the first six episodes, it remains to be seen if episode 7 (titled “Felling With Tree Routes”) is as much a dramatic turn as the portended graphically violent turn.

Given that the Defenders mini-series is already slated for a 2017 release, it’s clear that Iron Fist‘s poor initial reception will not stop the Marvel/Netflix hybrid from moving forward. That being said, it’s unfortunate that the same studio partnership that produced Jessica Jones, Luke Cage, and Daredevil has hit a slump with their most recent offering; whether this should be viewed as a bump in the road or an image of what’s to come is uncertain.

News Blast: Doctor Who Hires Classic Writer

News Blast: Doctor Who Hires Classic Writer

For the first time since the show returned in 2005, Doctor Who showrunner, Steven Moffat, has hired a writer whose resumé includes a story from the classic era, meaning its unbroken run from 1963 to 1989. The BBC announced in an upcoming issue of the official publication of the show, Doctor Who Magazine, that Rona Munro will be writing an episode for series/season 10 titled, “The Eaters of Light.” Though the show has brought back a director and actors from the classic run, this is the first time a classic Who writer has been commissioned to write for the revived show.

If "The Eaters of Light" has cheetah people and cans of Nito-9, Andrew and Dan will be happy. Source: BBC
“Survival” DVD cover. If “The Eaters of Light” has cheetah people and cans of Nitro-9, Andrew and Dan will be happy. Source: BBC

Munro has the distinction of writing the final serial for the classic run, the Seventh Doctor story, “Survival,” in 1989 which sent the show––with an addendum by script editor at the time, Andrew Cartmel––into what has been called “The Wilderness Years,” meaning the span of mostly Who-less time between 1989 to 2005. Despite the views of some who felt she may have been “slumming” by writing for the dying show, she has said it was her “dream job” despite being “a mournful time in the show’s history.”

Cartmel brought Munro to the show in 1989 because of her impressive history writing for the stage and film, which was an important decision for a series that was remarkably lacking in female representation in production. This is even more remarkable in the face of the fact that the show was basically created by a woman, Verity Lambert. The modern iteration of the show has drawn the same criticism from many fans and critics––even notable Who writer and fan, Neil Gaiman, has called it out. In the last few years, Moffat has made some steps to remedy the situation. However, as of 2015’s series 9, a total of only five women have written for the show out of the 90-plus hires made since 1963.

Also, she is Scottish, which speaks to the general Scottish takeover of Doctor Who since David Tennant, really. Photo: Laura Braun
Rona Munro (above) is also Scottish, which speaks to the general Scottish takeover of Doctor Who. Photo: Laura Braun for The Telegraph

Of her series 10 episode, Munro is enthusiastic, noting that she tried to capture what made her a scared but rapt fan as a child:

When I was very small and watching the First Doctor, I had a special cushion known as “Rona’s Doctor Whocushion.” I would hide my face in it when the Daleks or other monsters appeared on screen! “The Eaters of Light” is my version of other stories that have haunted me for almost as long.

Series 10, it should be noted, has been slated to be Steven Moffat’s final as showrunner. He has been at the helm since series 5 in 2010 and has been very controversial among the fan base even as his tenure ushered the show into becoming a worldwide phenomenon (especially with Matt Smith in the role of the Doctor) as well as covering the well-regarded 50th anniversary story, “The Day of the Doctor,” which brought David Tennant back to his role of the 10th Doctor alongside Matt Smith.

News Blast: The (Colorful) Power of the Daleks

News Blast: The (Colorful) Power of the Daleks

Fans of classic Doctor Who already know about tonight’s US premier of the newly re-constituted (or, more appropriately, regenerated) story, “The Power of the Daleks,” first aired in November and December of 1966. Lost in the infamous archive purge that the BBC went through in the early 1970s, the story was targeted for an animated form after several other stories received animated supplements (e.g., “The Invasion,” “The Reign of Terror“). The big difference with this story is that (a) the entire story had to be animated due to the loss of any complete episodes; and (b) this was Patrick Troughton’s first story as the Doctor, taking over after William Hartnell’s departure. In that regard, this is a pivotal story in the history of Doctor Who because it presents the audience with “regeneration” (or, as described in the story, “renewal”) for the first time.

The newly regenerated Doctor in his animated form.
The newly regenerated Doctor in his animated form, baggy pants and all.

More recently, the BBC announced that this story will also be done with a separate color-animated version, to be included as a separate digital download or as an added feature to the DVD release. One can assume that they based the animation’s colors on production stills from the episode. It can even be seen in the color choice for the Daleks, who sport the classic 1960s white/gray and blue exterior.

1966 Daleks in full color. Or, colour, I guess. The original 1960s color scheme, as well.
1966 Daleks in full color. Or, colour, I guess. The original 1960s color scheme, as well.

This is unexpected, as all of the previous black-and-white Doctor Who stories had been released without any color added. It probably more represents a feature of the animation process and less a desire to colorize old episodes. Previously, a number of Third Doctor stories have been re-colorized by the Doctor Who Restoration Team; only black-and-white versions of color episodes had been retained, so the team used relatively sophisticated methods to restore color to the footage. But there had been no discussion (until now, at least) of adding color to the historically black-and-white episodes.

The question remains to be seen as to whether or not this will be attempted for other episodes. The Restoration Team has done “special editions” and re-cuts of some of the later episodes, including a substantively re-worked rendition of “Enlightenment” and a re-cut “movie version” of “The Curse of Fenric.” It may be simply that “The Power of the Daleks” was a big enough episode to warrant special treatment. Maybe “The Unearthly Child” or “The War Games” will warrant a special colorized version as well. Only time will tell.

 

News Blast: Deadpool 2 Creative Woes

News Blast: Deadpool 2 Creative Woes

Though it garnered some attention at the end of October when Deadpool director, Tim Miller, left the sequel’s pre-production over “creative differences” with star and the character’s champion, Ryan Reynolds, it seemed to get a bit buried under other high drama news, such as the 2016 election. While this seems to be a trend in the world of comic book movies extending as far back as Edgar Wright’s notable exit from Ant-Man to the constant issues that The Flash movie is having, the Deadpool situation marks an interesting departure from the more traditional artist vs. studio clash; instead, it seems to be artist vs. artist.

source: /Film
Despite the success of 2oth Century Fox’s Deadpool, the original creative team is having growing pains while developing the sequel. Image source: /Film

An interesting discussion could be had about what made Deadpool the sensation that it was: Ryan Reynolds’ infectious charm and tireless cheerleading for the film or Tim Miller’s unique vision, style, and story (he was developing the script for the sequel at the time of his departure). Arguably, that conversation is a bit irrelevant because, with as large as movie-making teams are and how many pieces that need to come together to get a movie to happen at all, the reality stands in contrast to the binary nature of the argument. If superhero movies are anything, they are not really the place for auteurs. Despite that, this debate seems to be churning forward as the news hit.

This has been bolstered by the most recent news that returning composer, Tom Holkenborg, aka Junkie XL, has also left production as a gesture of solidarity toward Tim Miller. Holkenborg posted the news to his official Facebook page and Twitter feed in a fairly revealing look at his decision-making process. He noted that Miller’s exit caused personal “soul-searching” for his own place within the project, which lead to his ultimate decision:

Tim [Miller] was the driving force behind Deadpool and me getting involved in this amazing project. Deadpool without Tim at the helm just does not sit right with me and that is why I have decided not to be involved in the second chapter.

Tom Holkenborg, aka Junkie XL, has left Deadpool 2 as a show of solidarity for director, Tim Miller. source: Facebook
Tom Holkenborg, aka Junkie XL, has left Deadpool 2 as a show of solidarity for director, Tim Miller. Image source: Facebook

Apparently, Ryan Reynolds wants the sequel to focus more on the R-rated humor and ground-level aesthetic that the first movie captured, while Miller wanted to increase the budget and emphasize the style and visual creativity of the original film, as well as casting decisions with regard to Cable and X-Force teammate, Domino.

More than the debate as to who has the more valid approach to the sequel, this strife (pardon the X-Force pun) points more to the likelihood that Deadpool was a confluence of luck, earnestness, and creative zeal and was not necessarily a considered and focused creative vision akin to that which Marvel Studios has cultivated under the guidance of Kevin Feige.

Where this leaves Deadpool 2 is not clear. Variety reports that a deal is closing with John Wick director, David Leitch. Casting is still nebulous around Cable, though with Miller’s exit so too goes his top pick of Friday Night Lights star, Kyle Chandler. With Reynolds still on board, Deadpool 2 will no doubt retain much of its initial charm and personality; whether that’s enough will be for the audience to decide.

News Blast: The Casting of Lando Calrissian

News Blast: The Casting of Lando Calrissian

Since Disney acquired Lucasfilm, something Star Wars related is always percolating. It seems set that the House of Mouse will give the world more Star Wars movies one year at a time, following the numbered sequel/side story alternating style. In that format, 2016 will see the release of Rogue One: A Star Wars Story and 2017 the release of Episode VIII. The NEXT Star Wars movie on the horizon (scheduled for 2018) is the tentatively titled Untitled Han Solo Star Wars Anthology Film, which promises to fill out the story of how a young Han Solo got himself to where we know him in Episode IV. One of the important characters to be (as of yet) announced is the gambler and con man Lando Calrissian. And, in the last week, Lucasfilm announced that Lando will be portrayed by actor Donald Glover.

This new film depicts Lando in his formative years as a scoundrel on the rise in the galaxy’s underworld — years before the events involving Han, Leia, and Darth Vader in The Empire Strikes Back and his rise to Rebel hero in Return of the Jedi.

Donald Glover has quite a sizable fan base, getting a significant amount of attention in Dan Harmon’s Community and more recently in an as-of-yet unrevealed role in the upcoming Spiderman: Homecoming. That’s not to mention the fan base acquired through his already prolific music career, mostly under the moniker of Childish Gambino

Although a lot of people are excited about this casting, at least one person has expressed vocal concern: Glover’s mother. As he said in an interview on the Ellen show, when he told his parents about the casting, his mother made it clear that she will not abide him messing up the character. This is a fair concern, as Billy Dee Williams is well known for bringing a sufficient amount of smooth to the role.

Lando Calrissian, c. 1980 and 2016.
Someone must have told them about his little maneuver at the battle of Taanab.

The one thing that does seem to stand out from all of the recent coverage is that this announcement seems to have shifted the focus of the film. The press release explains how the movie will depict Lando in his formative years “before the events involving Han, Leia, and Darth Vader in The Empire Strikes Back[.]” The IMDB listing already has Donald Glover listed above Han Solo actor Alden Ehrenreich. Given Donald Glover’s popularity, it almost seems like he’s stealing the show before the show has even been made.

Lando Calrissian, reminding everybody that he wears the best cape of the entire galaxy.
Lando Calrissian, reminding everybody that he wears the best cape of the entire galaxy.

At this point, the most important question is pretty clear: Will Donald Glover be able to wear a cape as well as Billy Dee Williams?

News Blast: The End of the Starcraft Pro League

News Blast: The End of the Starcraft Pro League

Today, the Korean Esports Association (KeSPA) made a big announcement: the formal Starcraft ProLeague would come to an end. Although there are a lot of different reasons that the Starcraft league was cancelled, the Chairman of KeSPA summed it up reasonably well:

[T]he drop in the number of ProLeague teams and players, difficulty securing league sponsors, and match fixing issues have made it challenging to maintain ProLeague.

This is not an isolated assessment. Professional eSports organization TeamLiquid also noted that five professional Starcraft II pro teams also disbanded. Although people on Twitter have already declared Starcraft dead in Korea or competitive Starcraft II dead altogether, Blizzard has yet to issue any response and the 2016 WCS (World Championship Series) Global Finals are still scheduled for early November.

Maybe it's time to pour one out for professional Starcraft...
Maybe it’s time to pour one out for Starcraft…

It’s no surprise to anybody that interest in watching Starcraft has decreased significantly in the past years while viewership of games like League of Legends and DOTA2 have dominated the eSports milieu. But, even considering the popularity of LoL and DOTA2, it just feels like the end of an era; Starcraft II was the impetus for the ever-popular “Barcraft” phenomenon that started in 2011 in the United States. That was the time where a bar could potentially fill any day of the week with either live streams or recently played games of professional Starcraft. Of course, with that being said, the whole “watching video games in a bar” phenomenon was arguably already losing steam before this announcement; both the Barcraft sub-Reddit and the TeamLiquid Barcraft listing are mostly vacant.

Whether this is the end of the line or just a bump in the road, it’s hard not to look at this as a condemnation of eSports as nothing more than a fad, or at least something that will never have the social gravitas of “real” competitive sports. Nowadays, it’s probably easier to find a RuPaul’s Drag Race watch party in a bar than it would be an eSports event. Perhaps it just says something about the nature of watching events as a group.