RECYCLING OF THE DALEKS: This year’s Doctor Who New Year’s special, “Revolution of the Daleks”, continues the cliffhanger ending of series 12 and says goodbye to some companions while welcoming back Captain Jack Harkness to the show. Andrew and D. Bethel discuss the special while also discuss some of the important changes made to the series lore at the end of series 12.
NEW WHO: Series 12 of Doctor Who started up on New Year’s Day. With three weeks gone and now three episodes in, our Who-loving hosts sit down to talk about it (mostly just the first two episodes SPOILER WARNING for “Spyfall, Part 1” and “Spyfall, Part 2”).
After (approximately) ten weeks of teasing, Andrew and D. Bethel finally talk about the newest series of Doctor Who, which not only introduces Jodie Whittaker as the new Doctor (as well as her substantial crew) but also new showrunner, Chris Chibnall, and his team to bring the world a fresh look at a 55 year-old character.
Since they had so much to discuss, an entire “Shortcast” (despite it being basically the length of an entire episode) was dedicated to talking about the finale of the latest season of Doctor Who. SPOILERS BEWARE. NON-DOCTOR WHO FANS BEWARE (come back next week). Much talk is made about Stephen Moffat’s tenure as showrunner, the themes of the finale, and what Andrew and D. want out of the teased Christmas special.
D. Bethel will be exhibiting at the inaugural Sac Indie Expo in Sacramento this weekend. He’s looking forward to it not only because he gets to chat and hang out with fans and other local creators, but also due to the fact that the event is being held a phenomenal local brewery, Big Sexy Brewing Company. SIE will be on Saturday, July 15 from 12-5pm. It’s free to get in, so if you’re in the area, you have no excuse to not go.
WEEK IN GEEK: Andrew finally sat down and saw Marvel’s newest addition to its cinematic universe, Doctor Strange, while Dan sits down and replays the opening of Mass Effect 2.
BETWEEN TWO WORLDS: After being pushed back in the movie schedule before getting removed completely, The Inhumans finally gets a release date…on television…kind of. While it’s premiere will be in IMAX theaters for a few weeks, Marvel announced that a The Inhumans tv show will air on ABC alongside Agents of SHIELD. Dan and Andrew talk about this newest plan and what it says about the static between Marvel’s movie house and television studios.
NEW WHO, IN COLOR: The Second Doctor’s premiere story, “The Power of the Daleks,” is getting a DVD release in fully animated form (due to the original episodes getting wiped by the BBC in the 1970s), but more interestingly the release will be getting an extra feature of the whole story in color. Andrew and Dan discuss this feature as well as the state of missing Doctor Who, based on the News Blast Andrew wrote about this announcement.
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For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“More Human Than Human” by White Zombie
-“I Am the Doctor” by Jon Pertwee
Fans of classic Doctor Who already know about tonight’s US premier of the newly re-constituted (or, more appropriately, regenerated) story, “The Power of the Daleks,” first aired in November and December of 1966. Lost in the infamous archive purge that the BBC went through in the early 1970s, the story was targeted for an animated form after several other stories received animated supplements (e.g., “The Invasion,” “The Reign of Terror“). The big difference with this story is that (a) the entire story had to be animated due to the loss of any complete episodes; and (b) this was Patrick Troughton’s first story as the Doctor, taking over after William Hartnell’s departure. In that regard, this is a pivotal story in the history of Doctor Who because it presents the audience with “regeneration” (or, as described in the story, “renewal”) for the first time.
More recently, the BBC announced that this story will also be done with a separate color-animated version, to be included as a separate digital download or as an added feature to the DVD release. One can assume that they based the animation’s colors on production stills from the episode. It can even be seen in the color choice for the Daleks, who sport the classic 1960s white/gray and blue exterior.
This is unexpected, as all of the previous black-and-white Doctor Who stories had been released without any color added. It probably more represents a feature of the animation process and less a desire to colorize old episodes. Previously, a number of Third Doctor stories have been re-colorized by the Doctor Who Restoration Team; only black-and-white versions of color episodes had been retained, so the team used relatively sophisticated methods to restore color to the footage. But there had been no discussion (until now, at least) of adding color to the historically black-and-white episodes.
The question remains to be seen as to whether or not this will be attempted for other episodes. The Restoration Team has done “special editions” and re-cuts of some of the later episodes, including a substantively re-worked rendition of “Enlightenment” and a re-cut “movie version” of “The Curse of Fenric.” It may be simply that “The Power of the Daleks” was a big enough episode to warrant special treatment. Maybe “The Unearthly Child” or “The War Games” will warrant a special colorized version as well. Only time will tell.
Week in Geek: Andrew plays Assassin’s Creed Chronicles: India while Dan watches Ex Machina.
Cheap Games: With Andrew’s sideways foray into the normally “AAA” Assassin’s Creed franchise being through the door of a $10 downloadable game, Dan and Andrew discuss the recent widening of prices for games––both video and tabletop––and the implications on not only the content but the culture it feeds.
Flash in the Pan/The Doctor is Out: In unrelated but nearly simultaneous announcements, CBS/CW and BBC announced they are pulling their respective content from the media hubs of Netflix and Hulu, presumably because they are going to launch their own premium streaming services. Will such a tactic work? Should it? Why now?
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For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio -“Ground Zeroes” by Ludvig Forssell (from Metal Gear Solid V: The Phantom Pain) -“Carry On Wayward Son” by GWAR (live recording) -“Are You Ready for Some Football” by Hank Williams, Jr.
*Dramatic sting sampled from Metal Gear Solid 3: Snake Eater.