CAN YOU SDCC ME NOW?:Though San Diego Comic Con is ostensibly about comic books, the biggest announcements that seem to come out of the show revolve around cinematic and televised properties. Andrew and D. Bethel focus on the announcements that not only ignited their excitement but also triggered their critical processes, from the Cats trailer to the next big DC/CW “Arrowverse” crossover event to the new Star Trek show to Marvel’s Phase 4 lineup.
WEEK IN GEEK: This week, our hosts talk about new things involving their favorite things. For example, Andrew discusses his time playing the Modiphius tabletop RPG, Star Trek Adventures and how it adapts all aspects of the long-lasting franchise, and D. Bethel makes his defense for 20th Century Fox’s Dark Phoenix.
Bethel, D. “Sketch Fridays #64 – Dark Phoenix.” Long John. LongJohnComic.com, D. Bethel’s write-up after seeing Dark Phoenix the first time and explaining one reason why he had such a strong reaction to it.
NOTRE-DAME THE TORPEDOES: We open this week talking about the tragic fire at the Notre-Dame cathedral in Paris, focusing on how its rebuilding efforts may be aided by the diligent work of Ubisoft (and the work they put into making Assassin’s Creed: Unity.
For context of the jokes Andrew and D. Bethel make at the end of this segment:
THIS SHOULDN’T WORK: Andrew and D. Bethel talk about a tv show they’ve been mildly reticent to discuss because they can’t believe it’s actually good: Seth MacFarlane’s The Orville––an unabashed Star Trek and Star Trek: The Next Generation pastiche that is actually becoming some of the best Star Trek available.
HELL, BOY YOU BETTER STOP: D. Bethel gives a quick look at the newest Hellboy cinematic entry; spoiler: it needs some work.RELEVANT EPISODES:
THE CLIPS EPISODE: Due to a distortion of the space-time continuum, Andrew ended up on his own to record an episode. Instead of 50 minutes of dead air, he decided to throw together a clips episode featuring past segments on Star Trek!
WEEK IN GEEK: This week, Andrew takes dives into season three of Netflix’s The Travelers and ponders how it continually plays with time travel in interesting ways while D. Bethel gets educated and affected by the Netflix documentary, Struggle: The Life and Lost Art of Szukalski––a documentary about artist Stanisław Szukalski and his time trying to create a national artistic identity for Poland, his brush with nationalism, his loss of everything due to Nazi occupation, and his rediscovery by a bunch of scraggly Los Angeles underground comix makers.
Here’s the trailer for Travelers, season 3:
And here’s the trailer for Struggle: The Life and Lost Art of Szukalski:
WEEK IN GEEK: D. Bethel gets inspired by Tintin and Alph-Art, the final Tintin book started by creator Hergé before his death. The book is a collection of his layouts and notes and remains unfinished but showcases the process of one of the world’s best comic book storytellers. After nearly a year, Andrew finally dives into Star Trek: Discovery (originally released on CBS All Access) and gives you a SPOILER-FILLED rundown and response to the newest Star Trek series.
FALL (TV IS) BACK: With the summer doldrums of tv coming to a close, Andrew and D. Bethel discuss the Fall tv they’re looking forward to, including the debut of a new Doctor (and production team) with series 11 of Doctor Who, Andrew’s circumspect approach to the reboot Magnum and quizzical anticipation for Alton Brown’s Good Eats Reloaded, D. Bethel’s blind eagerness for the new season of The Gifted and Outlander, and both hosts’ skepticism of the new Riggs-less third season Lethal Weapon. It’s nerdy Fall tv front to back.
OBI-WAN KE-NOPE-Y: It was made known that Lucasfilm has put its anthology series, subtitled A Star Wars Story, on hold after the lower box office of The Last Jedi and, most recently, Solo. While the cause hasn’t been confirmed, there are a few factors to look at, one of which could be the box office performance of these films. Another, more sinister, reason has to do with the cultural backlash to Rogue One, The Last Jedi, and Solo. A segment on the internet is convinced that Lucasfilm has a political agenda it wants to push and it’s using the Star Wars series to do so. These dissenters have responded in a few interesting ways: some have banded together and made an official decree to “destroy” Lucasfilm, others have started a crowdfunding/social media campaign in order to remake The Last Jedi. Either way, it’s a complicated issue that Andrew and D. Bethel try to find the knots of.
THUNDERCATTY: Cartoon Network announced it was working on a new ThunderCats show, titled ThunderCats Roar, which looks and sounds quite a bit different from the ThunderCats from 1985. It got a lot of people upset and they let the internet know the depths of their disdain for the new look. Andrew and D. look at reboots (again), nostalgia, and the sense of ownership and entitlement a lot of fans have over these fan-favorite properties.
THE LONG CON-TINUITY: After years of teasing the topic, Andrew and D. finally sit down to talk about continuity. It starts with the continuity issues surrounding Star Wars and Disney’s purge of their Extended Universe, before it descends into talk about its benefits, its setbacks, and why it can be used as a weapon.
The ending to St. Elsewhere (re: the reference to the “snow globe ending” in this episode, referring to the very end of the show, St. Elsewhere, where it was revealed that the show was actually just a fictional universe imagined by an autistic child):