#CAPITALISM: With Disney taking ownership of the 4th of May, Andrew and D. Bethel talk about the role of ownership in public discourse for a bit.
MUNDANE FANTASY: Looking at where the world is now, and with the meteoric landing of Animal Crossing: New Horizons, D. Bethel and Andrew wonder––why do we love playing games about working…and love them?
THE GOOD, THE BAD, THE MANDALORIAN:A brief check-in to the release of Disney+ this week as Andrew reacts to the first episode of their original, Star Wars show, The Mandalorian. He is surprised more at how much it pulls from Westerns than Star Wars.
A LONG TIME AGO, WE USED TO BE FRIENDS:Veronica Mars was always a show that hovered just below wide popularity, but its fans were devoted and supportive. From the original three seasons that aired on UPN/the CW to its Kickstarted movie, to Hulu’s revival with a fourth season, Andrew and D. Bethel did a rewatch of the show and have some thoughts on what it has been, what it is now, and what it could be in the future.
TO ME, MY LITIGATORS: Eyebrows raised recently when a Florida man sued Marvel, Fox, Saban Entertainment, and many other production companies saying that the generation-defining theme song of the ’90s X-Men animated show actually plagiarized a strikingly similar theme of a popular Hungarian tv show from the 1980s. Nerd Law man, Andrew, and X-Men fanatic, D. Bethel, put their heads together to see if this case has any legs to stand on. (A big thanks to friend-of-the-show, André La Roche for his consultation on this topic.)
DISNEY PEMDAS: Last week, Disney made waves as it began an irresponsibly long Twitter thread announcing every title that would be available on its upcoming Disney+ service. D. Bethel and Andrew sort through the announcement, talking about how much this will shift the paradigm of entertainment consumption.
Shortcast 56 – Accidental Artistry (25 May 2018): Where D. Bethel and Andrew talk about reboots in the context of the reveal of Thundercats Roar announced by Cartoon Network.
A Veritable Odyssey (12 July 2019): Where Andrew and D. Bethel discuss the teaser trailer for the upcoming––and seemingly very different––live-action adaptation of another animated film from the ’90s, Mulan.
NOTRE-DAME THE TORPEDOES: We open this week talking about the tragic fire at the Notre-Dame cathedral in Paris, focusing on how its rebuilding efforts may be aided by the diligent work of Ubisoft (and the work they put into making Assassin’s Creed: Unity.
For context of the jokes Andrew and D. Bethel make at the end of this segment:
THIS SHOULDN’T WORK: Andrew and D. Bethel talk about a tv show they’ve been mildly reticent to discuss because they can’t believe it’s actually good: Seth MacFarlane’s The Orville––an unabashed Star Trek and Star Trek: The Next Generation pastiche that is actually becoming some of the best Star Trek available.
HELL, BOY YOU BETTER STOP: D. Bethel gives a quick look at the newest Hellboy cinematic entry; spoiler: it needs some work.RELEVANT EPISODES:
MARVELLOUS DEBUT: A quick check-in with the toxic male comics fandom to start the show. A few weeks ago, Andrew and D. Bethel talked about how proponents for ComicsGate and their robot army were trying to tank Captain Marvel well before it released into theaters with negative scores on Rotten Tomatoes. The hosts just wanted to recognize that Marvel Studios’ newest movie debuted to record-breaking ticket sales, thoroughly debunking and neutering the latest efforts by those who try to gatekeep and, honestly, destroy comics fandom and its associated medium.
A LOT OF GREY AREA: A new trailer for the live-action adaptation of the classic Disney animate feature, Aladdin, went live this week and while the first trailer made Andrew and D. cautiously optimistic, this new one got both of them fully on-board. They talk about adaptations again, specifically from medium to medium (like, in this case, animation to live-action) and why it’s a good thing for adapters (is that the word?) to break with tradition and say something unique even with a beloved property.
Shortcast 74 – Texas the Rabbit: Where Andrew and D. Bethel talked about ComicsGate’s first attempt to show how comics should be made (and fail at doing so). Also, the RELEVANT EPISODES in the show notes have a comprehensive bibliography of other episodes where ComicsGate was discussed.
21st Century Mouse (22 Feb. 2019): Where D. Bethel discussed the live-action adaptation of Battle Angel, focusing on the choices the filmmakers made to bring the story of the manga and anime to a live-action film.
“Boasts of Bethel: Getting to the Point“: Going into the wayback machine, D. Bethel wrote down his thoughts about adapting stories from one medium to another, using the relationship between A Song of Ice and Fire/Game of Thrones as a reference point (spoiler free).
LOOKING FORWARD: With 2018 behind them, Andrew and D. Bethel discuss what they’re looking forward to in 2019. Andrew is interested in the upcoming premium Disney streaming service, Disney+, as well as to Bethesda Game Studios adding more content to Fallout 76, while D. Bethel can’t wait for It, Chapter 2 to hit theaters as well as playing the new game from Firewatch‘s Campo Santo, In the Valley of the Gods.
What are you looking forward to in 2019? Let us know in the comments!
WEEK IN GEEK: Andrew braved populated movie theaters to see Ant-Man and the Wasp while D. Bethel eagerly went to the theaters to see Incredibles II.
DISNEY FLOOD: This summer was a packed house in terms of big-budget blockbuster-intended films with Avengers: Infinity War, Solo: A Star Wars Story, Ant-Man and the Wasp, and Incredibles II. But with Solo and Ant-Man and the Wasp underperforming, it has Andrew and D. wondering, did we have too many big nerd movies this summer?
Brad Bird defends his approach to animated films on Twitter:
OBI-WAN KE-NOPE-Y: It was made known that Lucasfilm has put its anthology series, subtitled A Star Wars Story, on hold after the lower box office of The Last Jedi and, most recently, Solo. While the cause hasn’t been confirmed, there are a few factors to look at, one of which could be the box office performance of these films. Another, more sinister, reason has to do with the cultural backlash to Rogue One, The Last Jedi, and Solo. A segment on the internet is convinced that Lucasfilm has a political agenda it wants to push and it’s using the Star Wars series to do so. These dissenters have responded in a few interesting ways: some have banded together and made an official decree to “destroy” Lucasfilm, others have started a crowdfunding/social media campaign in order to remake The Last Jedi. Either way, it’s a complicated issue that Andrew and D. Bethel try to find the knots of.
Although old news for just about everybody, Lucasfilm released a new trailer for the upcoming film in the Star Wars franchise, Star Wars Episode VIII: The Last Jedi. [Note: Your guess is as good as mine as to how many colons belong in that title. I’ll leave that for Dan to determine at a later date.] As with any Marvel/Disney/Lucasfilm trailer, there’s a lot being packed into two minutes and thirty-four seconds. For those that missed it, here it is:
I’m not really here to make any major speculation or draw any conclusions from this trailer. As a lot of people on the internet have already pointed out, there is a significant amount of clever cutting and editing. Any conclusions that you may draw from the trailer are entirely speculative (unless your conclusion is, “These people are in this movie”).
However, there is one thing from the trailer that has also appeared in several other forms of advertising media that has turned a few heads and gotten a few people talking: Luke Skywalker in various stages of “looking like a bad guy.” In the trailer, some attentive fans have looked at 1:47, where a defeated (and wet?) Luke says, “This will not go the way you think.” Others have referenced 1:53, where a wet Rey confronts what appears to be Luke in his grimdark outfit. [Note: we’re not entirely sure what wetness has to do with it, but it may be important.]
Of course, a few seconds of a trailer never amounted to anything. Don’t worry, because Lucasfilm did not stop there. Shortly before the release of the trailer, Lucasfilm released the new poster for the movie. It features everything one would expect from a movie titled, “The Last Jedi.” All the characters locked in seemingly action poses. A couple of lightsabers. Lots of … red? Judge for yourself:
And let’s not forget about the IMAX Standee, also released last week.
The standee, which is cleverly divided into “good guys” on the left and “bad guys” on the right, also happens to feature one character on both sides: our man Luke Skywalker, again. We could go on with this, but it’s just speculative absurdity at this point.
What does it all mean? Apparently, we’re meant to believe that Luke is playing both sides in this movie. Or not? It’s never really clear. Teasing the fanbase is something that Lucasfilm (or, more appropriately, Disney) has turned into a veritable art form and a standard operating procedure. At this point, the only thing we know for certain is that a lot of people are going to go see the new Star Wars movie in mid-December.