“Twitter Comes Tumblr-ing Down.” Comic Lab, 10 November 2022. The episode of the excellent Comic Lab podcast (with Brad Guigar and Dave Kellett) where they thoroughly investigate the fall––and fallout––of Twitter.
“Alien Control Party” (22 January 2016): Where our hosts discuss previous Digital Eclipse ports in their discussion about archiving old video games.
“Aggressive Modulation” (04 November 2022): Where our hosts reflect on, and analyze, the legacy of Star Trek: The Next Generation.
FILL MY POCKETS: The long awaited FPGA console, Analogue Pocket, is finally shipping and Andrew relays his reasonings for pre-ordering one.
WHY NOT BOTH: With the first season of the DMCU Disney+ show, She-Hulk: Attorney at Law, coming to a close, our hosts share their thoughts for this daring experiment––a show they have, literally (they’ve been talking about She-Hulk since episode 1 of the podcast), been waiting for for years. Warning: SPOILERS for the first season of She-Hulk.
ACE IS THE PLACE: Our hosts share their excitement for the return of the 7th Doctor companion, Dorothy “Ace” McShane, in this weekend’s regeneration episode of Jodie Whittaker’s Doctor in Doctor Who.
WEEK IN GEEK: After avoiding the microphones for a week due to disaster-level weather, our hosts return with their Weeks in Geek. Andrew watched Cobra Kai, season 5, and finds it makes a bad movie good. D. Bethel watched people play videogames over on the Nextlander YouTube channel, where they work their way through the incredibly dated, but also incredibly daring point-and-click adventure game, The Beast Within: A Gabriel Knight Mystery (aka Gabriel Knight 2).
“Premature Clapulation” (19 June 2014): Where our hosts talk about the history, legacy, and current state (as of 2014) of point-and-click adventure games.
“The Tainted Lens” (28 April 2017): Where D. Bethel discusses his favorite point-and-click adventure game, LucasArts’ Full Throttle, after it was remastered as Full Throttle Remastered.
“Chekhov’s Honk” (22 January 2021): Where our hosts talk about the first three Karate Kid movies.
“Too Many Johnnies” (05 February 2021): Where our hosts have a big talk about the Cobra Kai series.
WEEK IN GEEK: This week, Andrew endures convalescence by getting a double dose of survival horror, by watching the premiere season of Netflix’s live-action Resident Evil series while also playing through Capcom’s remake of Resident Evil 3. D. Bethel, on the other hand, finds incredible connection in the first game from Blue 12 studio’s Stray.
CLIP SHOW VACATION: Our hosts are taking a week to enjoy the summer (well, one of our hosts is traveling, so they couldn’t get together), but they recorded a quick “hello” as well as a bunch of previously unreleased outtakes/pre-show conversations (most from around 2016) to the end to give you some content in the interim.
WEEK IN GEEK: A lot of video games were played this week, some new, some old. Andrew plays the new hotness that is Cellar Door Games’ Rogue Legacy 2 and finds it engrossing. D. Bethel plays two video games, first working his way through the Metroidvania classic, Ori and the Blind Forest, and the new arcade beat ’em up, Teenage Mutant Ninja Turtles: Shredder’s Revenge.
“Super Sleep Mode” (28 November 2014): Where Andrew first discusses his time with the first Rogue Legacy.
“With Space Hands” (12 June 2015): Where D. Bethel talks about his time with Rogue Legacy.
“The Game of Life” (23 February 2018): Where Andrew talks about the ins and outs of Cellar Door Game’s follow-up to Rogue Legacy, Full Metal Furies.
“Baguettevania” (24 August 2018): Where D. Bethel talks about a recent popular rogue-like, Motion Twin’s Dead Cells.
“Scumbag Removal” (16 April 2021): Where Andrew talks about the unique rogue-like, Four Quarters’ Loop Hero.
WEEK IN GEEK: This week, Andrew actually gets into sports (kind of) after watching the first season of the new HBO basketball docu-drama, Winning Time. D. Bethel plays Studio Koba’s recent release, Narita Boy, and is delighted by its retro stylings and gameplay but also impressed by its impressive step into modern storytelling and themes.