READY PLAYER NOONE: Steven Spielberg said recently that movies made by internet-first companies like Netflix “deserve an Emmy, not an Oscar.” Where is the line between tv and film anymore? Is the line even there? Andrew and D. Bethel talk about the malleability of the filmic medium, be it cinema or television.
WEEK IN GEEK: Andrew dives into “the German Stranger Things” as he watches the first three episodes of the Netflix series, Dark, while D. Bethel gets lost in an RPG-tinged clicker game called Almost a Hero by Bee Square Games.
WEEK IN GEEK: This week, Andrew and D. start with a little Black Panther talk––friend of the show, Kyrun Silva, went on Good Day Sacramento to talk about what the character has meant to him as an independent comic creator––before Andrew discusses the complex but fun fantasy board game, Gloomhaven, while Dan watches the short but effective AMC comic book documentary series, Robert Kirkman’s Secret History of Comics.
ANNOUNCEMENEWSBLASTCAST: Instead of focusing on their respective Weeks in Geek or having an extended conversation, Andrew and D. decide to cover a lot of news that dropped this week including the trailer to season 2 of Marvel/Netflix’s Jessica Jones, 20th Century Fox’s Deadpool 2 trailer, the reveal of the video-game-based-on-a-tabletop-game-based-on-a-tabletop-card-game, Sentinels of Freedom, the upcoming Dungeons & Dragons lorebook, Mordenkainen’s Tome of Foes, and the passing of John Mahoney.
WEEK IN GEEK: Andrew talks about the premier of the new (and final) season of Star Wars: Rebels while D. Bethel talks about Netflix’s new based-on-a-true-story-kind-of David Fincher-led crime drama, Mindhunter.
SPOOKYTOBER: In celebration of the scariest month of the year, Andrew and D. discuss a movie each that really, truly gave them the scaries. Andrew discusses the cult classic, Jacob’s Ladder, while D. discusses the forgotten gothic horror of The Others.
Episode 20 – “Hydra Healthcare”: A previous Spookytober episode where, in the discussion, D. and Andrew discuss the video games that scared or unsettled them.
WEEK IN GEEK: Andrew attends Seattle’s BrickCon and is intrigued by not only the affordable prices of hard-to-get sets, but also the creativity of independent LEGO builders, while Dan gives his impressions on the pilot episode of Fox’s new tv show based, ostensibly, on their cinematic X-verse, The Gifted.
WHAT A THRILL: Andrew, inspired its free status for PS Plus subscribers this month, re-downloads Metal Gear Solid V: The Phantom Pain and gets poisoned by Venom Snake all over again, two years on.
NOT MY AMERICA: Swedish developer, MachineGames, and their parent company, Bethesda, are ramping up the marketing for their upcoming, hotly anticipated sequel, Wolfenstein II: The New Colossus, and their tact has made a certain demographic very displeased.
WEEK IN GEEK: Andrew watches through the first season of the hit Starz show, Ash vs. Evil Dead while Dan plays through the 2014 Bethesda game, Wolfenstein: The New Order, the reboot of the classic first-person shooter Id franchise.
KEEPING SCORES: It was announced this week that Danny Elfman has been hired to compose music for the upcoming DCEU movie, Justice League, after the original composer, Tom Holkenborg (aka Junkie XL), amicably left the project. Dan and Andrew discuss the expectations for an Elfman score in a modern superhero cinema context, and discuss their thoughts on film and televisions scores in general.
WEEK IN GEEK: Andrew learns about the seedy underbelly of LEGO knock-offs while Dan preps for the upcoming Wonder Woman movie by watching the 2009 animated film.
DOCTOR WHO KNEW?: Dan and Andrew discuss their skeptical praise for the current series of Doctor Who. Five episodes in and all episodes have been undeniably good so far. Should they be waiting with baited breath for the show to stumble as it has done for the last five series? Or should they let their freak flag fly once again?
WAKING LIFE: Remedy Entertainment’s 2010 sleeper hit, Alan Wake, was summarily pulled from all digital storefronts last weekend due to the lapsing of the licenses paid for music featured in the game. It’s a strange situation considering exactly how many games––even those released before Alan Wake––use licensed music and are still available for purchase.
Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode.