NOTRE-DAME THE TORPEDOES: We open this week talking about the tragic fire at the Notre-Dame cathedral in Paris, focusing on how its rebuilding efforts may be aided by the diligent work of Ubisoft (and the work they put into making Assassin’s Creed: Unity.
For context of the jokes Andrew and D. Bethel make at the end of this segment:
THIS SHOULDN’T WORK: Andrew and D. Bethel talk about a tv show they’ve been mildly reticent to discuss because they can’t believe it’s actually good: Seth MacFarlane’s The Orville––an unabashed Star Trek and Star Trek: The Next Generation pastiche that is actually becoming some of the best Star Trek available.
HELL, BOY YOU BETTER STOP: D. Bethel gives a quick look at the newest Hellboy cinematic entry; spoiler: it needs some work.RELEVANT EPISODES:
WEEK IN GEEK: This week, Andrew goes back to the wasteland for the first time as he plays Fantasy Flight’s board game version of Fallout, while D. Bethel does a postmortem on the X-Men-based Fox television show, The Gifted, after its second (and final?) season finale [SPOILER ALERT].
MIRA DEL MAHER: Bill Maher redoubles his “complaints” against adult comic book fans on a recent episode of his show, Real Time with Bill Maher, in an editorial titled, “Grow Up” (from the “New Rules” segment he does at the end of his show). Andrew and D. examine less the content of his argument and more the ideas it intersects, discussing the need for fandom self-reflection, literature and literary history, the Western canon, and the invented division between “high” and “low” art.
Though linked above, here is the segment in question:
Wikipedia article about one of the earliest examples of this thing called “comics”, The Yellow Kid.
Comics writer, Peter David, responds to the segment:
Cat Valente’s Response to Maher’s comments on Twitter (click on the tweet to read the entire thread):
Last night, Bill Maher went on a rant about comic books & those who love them & the generation (it rhymes with Schmelennials!) that uses words like #adulting & doesn’t want to give up the things they loved as kids or grow up
Well my name is Miss Valente & I got something to say
WEEK IN GEEK: This week, Andrew takes dives into season three of Netflix’s The Travelers and ponders how it continually plays with time travel in interesting ways while D. Bethel gets educated and affected by the Netflix documentary, Struggle: The Life and Lost Art of Szukalski––a documentary about artist Stanisław Szukalski and his time trying to create a national artistic identity for Poland, his brush with nationalism, his loss of everything due to Nazi occupation, and his rediscovery by a bunch of scraggly Los Angeles underground comix makers.
Here’s the trailer for Travelers, season 3:
And here’s the trailer for Struggle: The Life and Lost Art of Szukalski:
After (approximately) ten weeks of teasing, Andrew and D. Bethel finally talk about the newest series of Doctor Who, which not only introduces Jodie Whittaker as the new Doctor (as well as her substantial crew) but also new showrunner, Chris Chibnall, and his team to bring the world a fresh look at a 55 year-old character.
WEEK IN GEEK: Andrew gets impressed with The Bard’s Tale Trilogy remastered collection on Steam while D. Bethel watches Venom and, even though he enjoyed it, wonders why it’s hitting such a strong chord with viewers.
DOCTOR BOO!: With Spookytober drawing to a close, Andrew and D. couldn’t not talk about Doctor Who, so they dove into the archive to talk about what they argue may be one of the series’ scariest episodes yet, series 4’s “Midnight.”
WEEK IN GEEK: This week, it’s a dive into the Fall tv shows that both our hosts were excited to see as Andrew watches the first episode of Alton Brown’s Good Eats: Reloaded while D. Bethel reacts to the first three episodes of the second season of The Gifted.
GAMES WORKERS UNITE: In the wake of massive layoffs by developers like Telltale Games and Riot Games, The Vulture published an article under the auspice of being a “behind the scenes” look at Red Dead Redemption 2‘s development at Rockstar Games. The article sparked a lot of controversy, specifically around the (walked back) claim of the team working 100-hour weeks multiple times during 2018 to make sure this game is top of the line in terms of quality. These incidents bring again a highlight to the labor practices of game development, through which D. and Andrew try to wade.
GOING BACK: Having played Uncharted: The Lost Legacy, D. Bethel has since gone back and played the first game in the Uncharted series and was rather frustrated by it. This experience got our hosts thinking about entering series (of games, movies, tv shows, etc.) mid-stream––what’s the value of going back to the start?
READY PLAYER NOONE: Steven Spielberg said recently that movies made by internet-first companies like Netflix “deserve an Emmy, not an Oscar.” Where is the line between tv and film anymore? Is the line even there? Andrew and D. Bethel talk about the malleability of the filmic medium, be it cinema or television.