SNAP JUDGMENT: With the third Avengers movie becoming a new bank everybody is putting their money into, D. and Andrew finally sit down to talk about the latest Marvel Cinematic Universe capstone event. Be warned that this episode CONTAINS SPOILERS for the movie.
WEEK IN GEEK: With D. Bethel back in the saddle, our hosts settle back into routine. Andrew discusses playing the forgotten entry in the Assassin’s Creed oeuvre, Assassin’s Creed Rogue, and its strange and bold narrative through-line through more than a few other AC games. D. Bethel snuck in some mobile gaming while he was supposed to be grading and fell in love with the vocational routine of the giant robo sim, Last Colossus by Game Stew.
What was your Week in Geek like this week? (Avengers: Infinity War, probably.)
WEEK IN GEEK: After weeks away, Andrew and D. Bethel return to talking about the geeky stuff they’ve done in the last week. Andrew plays Pandemic Legacy: Season 2 and is much surprised considering his views on the first game. D. Bethel dives into a different kind of legacy by looking at the first volume of All-New Wolverine as Laura Kinney (formerly X-23) takes the mantle of “Wolverine” from her (at the time) deceased…uh…father? Brother? Twin? Whatever. #comics
BLACK PANTHER: Andrew and D. have both finally seen the newest Marvel Cinematic entry, Black Panther, and dive into the aspects of the movie that stood out for them, especially with respect to nerd culture, pop culture, and culture at large. This conversation does discuss SPOILERS for the film, so consider yourself duly warned.
Trevor Noah talks about African accents in Black Panther with Chadwick Boseman on The Daily Show (bookmarked for that specific topic, but watch the whole interview):
Trevor Noah in The Daily Show‘s “Between the Scenes” segment where he talks about Black Panther:
“Waypoint 101: Black Panther.” Waypoint. VICE Media, 28 Feb. 2018. – Podcast where the staff of VICE’s Waypoint have a thoughtful look at Black Panther. (Warning: Contains SPOILERS.)
WEEK IN GEEK: This week, Andrew and D. start with a little Black Panther talk––friend of the show, Kyrun Silva, went on Good Day Sacramento to talk about what the character has meant to him as an independent comic creator––before Andrew discusses the complex but fun fantasy board game, Gloomhaven, while Dan watches the short but effective AMC comic book documentary series, Robert Kirkman’s Secret History of Comics.
ANNOUNCEMENEWSBLASTCAST: Instead of focusing on their respective Weeks in Geek or having an extended conversation, Andrew and D. decide to cover a lot of news that dropped this week including the trailer to season 2 of Marvel/Netflix’s Jessica Jones, 20th Century Fox’s Deadpool 2 trailer, the reveal of the video-game-based-on-a-tabletop-game-based-on-a-tabletop-card-game, Sentinels of Freedom, the upcoming Dungeons & Dragons lorebook, Mordenkainen’s Tome of Foes, and the passing of John Mahoney.
[This article has been updated by the author since seeing the film; the content remains spoiler-free. -D. Bethel]
When Marvel’s trailer for Avengers: Infinity War debuted, many comic fans, like myself, were excited. The culmination of ten years of dedicated movie watching will pay off in what MCU mastermind, Kevin Feige, has dubbed “[a thing] you’ve never seen in superhero films: a finale.” But being a self proclaimed comic expert, and even having my own YouTube Comic Book Show, means you become the person your friends text when they have questions. One that struck me after the trailer debut was “Who’s the purple dude that looks Hellboy-ish? The bad one who put a jewel into his knuckle?” The question is perfectly fair, although my response was a bit, um, charged:
“Um… Thanos? The Mad Titan. The ultimate villain that has been teased since Avengers ONE. WHAT DO YOU MEAN WHO IS THANOS?!!!!”
That simple question led down a rabbit hole of a discussion with my friend about the fact that they missed Thanos inallthree of his movie appearances (two of which were post- or mid-credits scenes), and his mention in another. Then you have the Infinity Stones and how they fit in (literally and figuratively) with the Infinity Gauntlet and how all of this relates to the average moviegoer. When all is said and done, when you sort the movies out using those requirements, you have the following:
Guardians of the Galaxy, Vol. 2 – Mentioned due to being Gamora/Nebula’s “adoptive” father.
Infinity Stones Appearances/Mentions
Thor (post-credits scene) – Tesseract/Cosmic Cube – Space Stone
Captain America: The First Avenger – Tesseract/Cosmic Cube – Space Stone
The Avengers – Tesseract/Cosmic Cube – Space Stone and The Scepter – Mind Stone
Thor: The Dark World – Aether – Reality Stone
Guardians of the Galaxy – The Orb – Power Stone and Aether – Reality Stone
Avengers: Age of Ultron – The Scepter/Vision’s head – “Mind Stone”, All 6 of the Stones were in Thor’s vision.
Captain America: Civil War – Mind Stone in Vision’s head
Doctor Strange – The Eye Of Agamotto – The Time Stone
Guardians of the Galaxy, Vol. 2 – mentioned Power Stone again
Thor: Ragnarok – Thor was looking for the Stones from when he had that vision in Avengers: Age of Ultron.
So, counting the above, in order to understand Thanos and the Infinity Stones (minus the Soul Stone.. WHERE IS THAT BAD BOY?) before going into Avengers: Infinity War, a person would have to have seen ten of the eighteen movies over the last 10 years just to understand everything that doesn’t have to do with our main characters. But is all that necessary? Could we shorten the list? Or, alternatively, how short can we make the list and still have it all make sense?
Let’s start out with movies from above you could skip as they are unrelated to most of the Infinity War plot (either secondary mentions of Thanos/Infinity Stones or no mentions).
Guardians of the Galaxy, Vol. 2
Then let’s take out movies that can have single line explanations in Infinity War to remove the bloat:
Captain America: The First Avenger – By the way, the Cosmic Cube/Tesseract was the macguffin of this movie and is seen in The Avengers.
Doctor Strange – The necklace Stephen Strange wears and uses in this movie has time powers and is the Time Stone
Thor: The Dark World – The Aether (aka red mist) was from this movie and that is actually an Infinity Stone.
So removing those means that only fourfive movies in the MCU have to do with the actual events of Infinity War from an understanding of the villain, giant cast of characters, and major plot points.
[UPDATE]: After seeing Avengers: Infinity War I would recommend that you watch All NINE of the below films for the most effective enjoyment of this film aka THE NEW HOTNESS. My recommendation is less due to the plot in all nine movies and more attributed to the character arcs and relationships that help push the plot of the new movie forward. However as far as plot goes, Thor: Ragnarok has been added to the list as it leads directly into Infinity War.
Guardians of the Galaxy
Avengers: Age of Ultron
Captain America: Civil War
Not bad. But let’s add in some movies to round out character motivations, and side characters that may be pertinent to Infinity War:
Captain America: The Winter Soldier – Arguably the best MCU movie and introduces The Winter Soldier who’s a pretty major character at this point.
Guardians of the Galaxy, Vol. 2 – MORE GUARDIANS (for real they added another member to the team in this movie. Plus, BABY GROOT!).
Spider-Man: Homecoming – Gives you more information on Spider-Man and his relationship with Tony Stark.
Black Panther – Many of the locations and characters from Black Panther are sure to be important in Infinity War based on the trailers alone.
In conclusion, here is this comic nerd’s list of the movies you should probably watch before Avengers: Infinity War. Additionally, if you swap Avengers: Age Of Ultron for Iron Man (the first) these may be the best movies of the 18 MCU films anyway. The list below is in viewing order (by MCU chronology) with bolded titles being the MUST SEE four films.
Guardians of the Galaxy
Guardians of the Galaxy Vol. 2
Captain America: The Winter Soldier
The Avengers: Age of Ultron
Captain America: Civil War
With all nine of these movies under your belt, anyone should be able to enjoy Avengers: Infinity War to its fullest.
Have any suggestions or edits to this list? Let me know in the comments below!
Taylor Katcher doesn’t like sand. It’s coarse and irritating and gets everywhere. But he loves comics, typefaces, and most other things to a fault…mostly.You can follow Taylor’s unbridled love for stuff on Twitter.
WEEK IN GEEK: To ring in the holidays, Andrew and D. Bethel take the time to bring you another Week in Geek Shortcast. This week, Andrew plays Greenheart Games’ Game Dev Tycoon on iOS (after having previously played it on Steam), while D. talks about the interesting time-travel, existential narrative of the Jean Grey limited series from Marvel.
Marvel announced yesterday that it would be tapping into the dramatic podcast medium––citing popular true crime NPR podcasts, Serial and S-Town, as specific inspirations––using one of its most iconic superhero characters, Logan (as Wolverine), set to debut in the spring.
According to the press release, the 10-episode series, titled Wolverine: The Long Night, will be a crime narrative with Logan (voiced by British actor, Richard Armitage, most recently known for his role as Thorin in The Hobbit films) not as the protagonist but as the focus of a criminal investigation by a pair of detectives:
It follows agents Sally Pierce (Celia Keenan-Bolger) and Tad Marshall (Ato Essandoh) as they arrive in the fictional town of Burns, Alaska, to investigate a series of murders and quickly discover the town lives in fear of a serial killer. The agents team up with deputy Bobby Reid (Andrew Keenan-Bolger) to investigate their main suspect, Logan (Richard Armitage). Their search leads them on a fox hunt through the mysterious and corrupt town.
The podcast series will be a timed exclusive to users of the podcast aggregator and broadcaster, Stitcher, but only to those who subscribe to its premium services, and then only until fall 2018, after which it will be widely distributed. It’s an interesting and rather safe experiment with the debut being locked behind a paywall, but it will undoubtedly bring new listeners (and new premium subscribers) to the already prominent podcast-streaming website. In theory, if The Long Night does not perform well, then at least it died in front of a relatively small and curated audience.
The teaming with Stitcher pulls some interest as it will undoubtedly guide a lot of fan attention toward the service, a service which has been under scrutinyabout its business practices before. But since the deal is about timed exclusivity and doesn’t seem to be a production partnership, skeptical podcast fans need only to wait six months to listen using their preferred services. It is interesting that rabid fans won’t be able to simply download the episodes directly from Marvel at the outset, which possibly speaks to the fact that Marvel may be hedging their confidence until they see its success.
The prospect of an audio dramatized version of comic book characters isn’t wholly new––characters such Superman and the noir hero The Shadow were staple radio plays back during the medium’s heyday––but the podcast angle is new and seemingly novel. However, podcast-based audio drama is in a veritable renaissance currently, and this move is a logical, albeit a relatively safe, step. Disregarding the commercial availability of audio dramas through companies like Big Finish, fictional podcast dramas have had many iterations and successes through the years, with productions like The Thrilling Adventure Hour, Homecoming, and Welcome to Night Vale having been around for awhile to varying degrees of popularity (with Welcome to Night Vale being the standout from this list).
However, like NPR diving head-first into the podcast medium with Serial (it had been podcasting its broadcast shows, but Serial was its first main effort to produce a podcast from scratch), Marvel’s entry into dramatized podcasting could produce a similar effect, especially using one of its most popular, vexing, and mysterious characters. Logan’s past is a game of retcon darts where anything can be added if it’s thrown hard enough at the board. This canonical malleability makes Logan a logical candidate for a short experiment such as this and likely explains (in the only rational way) why Marvel would not use the current Wolverine in the form of Laura Kinney as the star of this series. With Logan as the focus of their first foray into this new medium (which will directly follow his return to the Marvel universe), if The Long Night succeeds it could really raise the visibility of podcast dramas in the eyes of a wider audience just as Serial did for its user base.
Overall, this seems like a promising project. Written by Ben Percy, a veteran comics writer though one whose résumé is filled with mostly DC credits, it’s emboldening to see this project hire a person already comfortable writing in a serialized format with superhero characters, even if this story will be (and I apologize for using the heavily flogged descriptor) grounded and a bit more subdued. Some may wonder if Fox is involved, but––if I’m correct––this venture doesn’t need any approval nor collaboration with the owners of the film and TV rights to the property. At the time those contracts were signed, new media was probably not part of the deal and, in theory, Fox could do something similar with its filmic version of the characters. As it is, Wolverine: The Long Night is tied to the comic book version of the character rather than extending from the cinematic interpretation. This distinction will surely please the fans yearning for a non-comic book adaptation of the mutants that are separate from version seen from Fox.
The unfolding of this project will be intriguing as it could possibly open up an entire new medium to not only its fans but new fans who may have been unable to fully enjoy other iterations of superheroes, such as those with visual impairments. While audio drama may be viewed as an old or outdated medium, audio books have never been more popular. Even audio book services like Audible are producing original audio book and dramatized content for their subscribers. When looked at critically, audio drama holds a lot of potential in our digital and mobile context. With Marvel dominating the cinematic space and having broke new ground (even if the momentum has waned a bit) in new media with its Netflix shows, that the company is looking at new ways to present its characters to the world outside of traditional media is heartening and, more importantly, smart.