WEEK IN GEEK: Andrew saw Spider-Man: Homecoming so now they can talk about it while D. gets upset that Vice Media fired gaming journalist, Mike Diver, who co-created Vice’s video game wing, Waypoint.
NAME THAT CHIPTUNE: After going deep into an YouTube hole watching marching bands playing video game music, Andrew brings to the table the question: When the hell did video game music become so popular? Is it that good or are we just getting old?
For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“Scene III (Final Fantasy – ‘Opening Theme’, ‘Town’, ‘Matoya’s Cave’)” by The Tokyo Symphony Orchestra (from Symphonic Suite Final Fantasy; arranged by Katsuhisa & Takayuki Hattori)
WEEK IN GEEK: In a fit of nostalgia, Andrew picks up The Sims 3 again (starts at 1:49) while Dan can’t get past a nit-pick to enjoy anything Netflix’s Castlevania has to offer (20:46).
SDCC 2017: [starts at 34:04] It was a big weekend for nerd culture as the San Diego Comic Con dropped a bunch of new trailers on the world. Dan and Andrew look at three trailers and how they seem to be pointing out the creative direction of their respective studios with Marvel’s Thor: Ragnarok, DC/Warner Bros.’ Justice League, and Steven Spielberg’s Ready Player One.
For reference, here are the three trailers the discussion focuses on.
WEEK IN GEEK: Andrew starts a Starbound server and learns about the administrative side of online multiplayer gaming while D. helps to make a game better by playing the PS4 beta release of Marvel Heroes Omega.
FAR CRYING: The trailer and promotional artwork for Ubisoft’s Far Cry 5 has inflamed a certain demographic of gamers, or has it? Our humble hosts investigate this conundrum.
WEEK IN GEEK: With Andrew sick this week, the Shortcast ends up being a bit more organic than normal with both Andrew and D. sharing stories about this year’s Free Comic Book Day festivities. Specifically, Andrew got his hardback copy of Ms. Marvel, volume 1 signed by the creator herself, G. Willow Wilson, while Dan discusses the Hulu Original documentary, Batman & Bill.
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An article filed by The Hollywood Reporter revealed that 20th Century Fox has slated three movies set in its own X-centric (no pun intended) universe for 2018. While not the biggest of surprises, it at the very least hints at a big push by the Marvel Studios competitor for a larger share of superhero cinema profits. Hot on the heels of an announcement regarding Fox’s other major franchise investment––James Cameron’s Avatar series––revealing their release dates for the next three sequels, Fox confirmed that their blockbuster season will start with the newest entry into Fox’s X-world, and one that is a bit of a gamble at that.
The New Mutants
Announced to open on April 13, 2018, The New Mutants is in pre-production at the moment with Josh Boone (The Fault in Our Stars) directing. The spring release date is a safe one as it allows it to miss much of the summer and winter blockbuster melodrama. This movie has had a lot of speculative casting in the news over the last few months, no doubt gearing up some excitement for a series of characters relatively unknown to the greater populace. The New Mutants were introduced in 1983 as the first major spinoff to theX-Men, bringing back the original conceit: a team of teenaged mutant heroes lead by Professor X. The movie is based on the early issues, specifically on a storyline called “The Demon Bear Saga,” that are well-regarded by fans and critics. The New Mutants eventually became a fertile playground for the notorious Rob Liefeld, who introduced characters like Cable, Deadpool, Domino, and Shatterstar, among others, in its pages. The series ended with issue #100 at which point the series was renamed X-Force. With an X-Force movie desired by the Fox bigwigs, they may be viewing The New Mutants as a stepping stone for that eventual film.
The hotly anticipated Deadpool 2 will follow with an early summer release on June 1, 2018. Summer is big business for blockbuster movies and Fox is clearly betting on the hope that Deadpool will be a contender (which it will very likely be). More importantly, it will be released just under a month after Avengers: Infinity War opens and a little over a month before Ant-Man and the Wasp debuts, placing it firmly in the middle of what Marvel is guaranteeing to be their summer (DC/Warner Bros.’s Jason Momoa-led Aquaman will be opening in July as well, making it a very busy season indeed). In contrast, the first movie was such an underdog contender, it was released at one of the slowest box office points of the year––February––so the new release date definitely shows the confidence the studio has in the character and its creative team. Deadpool 2 recently made the news rounds with the rather surprising casting news that the MCU’s own Josh “Thanos” Brolin will be playing Deadpool’s time hopping straight-man, Cable, which paved the way nicely for this scheduling announcement. As mentioned on the site previously, even though Deadpool 2 has had its share of hiccups during pre-production with the exit of original director, Tim Miller, and taking with him original composer, Tom Holkenborg aka Junkie XL, the studio filled the open seat with John Wick director, David Leitch, and things are moving full steam ahead.
X-Men: Dark Phoenix
Finally, the next ensemble X-Men film, X-Men: Dark Phoenix, has been given an opening date of November 2nd, 2018. This is perhaps the most surprising film in the announcement. With the critical and financial wobble that X-Men: Apocalypse had last summer, the future of the franchise was in question among critics and fans while the studio was also being rather quiet. Secondly, while both long-time X-Men director, Bryan Singer, and long time X-Men writer/producer, Simon Kinberg, have hinted at different directions to go with the next film, the reveal of the title in this announcement solidified their direction and ended much speculation since “The Dark Phoenix Saga” is likely the most famous X-Men storyline in its history. One can assume that Game of Thrones star, Sophie Turner, will reprise her role as Jean Grey, but it leaves fans to wonder how much of the other cast will return considering the slapback X-Men: Apocalypse received. While winter is not nearly as fiscally important a season as summer, it is the second largest period for income-generation with, in the past, large franchises like Lord of the Rings and Harry Potter opening in November or December. Given the current slate of Marvel Studios and DC/Warner Bros. movies, it looks like, for now at least, X-Men: Dark Phoenix may have fairly light competition. Currently, Simon Kinberg is the favorite to direct, which would mark his feature directing debut, taking the helm from Bryan Singer. This film stands to be the most interesting of the three, as we wait to see how the success of experimental films like Deadpool and Logan influence the overall tone and approach to the now 17 year-old franchise.
While such an X-heavy year may point at a renewed interest in creating a shared universe between the films––that is a natural response to this type of schedule since it is basically what Marvel has done to establish its own––that is probably more speculation than likelihood. If we can pull anything from this schedule it is that despite the public lashing X-Men: Apocalypse took, and with the success of Deadpool and Logan, Fox is willing to put more faith and muscle behind their Marvel franchise in the face of Marvel Studios’ general dominance in the last decade. This is important because, in the wake of that cinematic giant, Fox seems to be finding its own path and voice and is making a different animal rather than just playing in the shadow of what’s been done before, and the new ideas that Fox has recently brought to the table are things that people seem to enjoy. With hope they keep experimenting and help keep the superhero movie genre on its toes in general.
WEEK IN GEEK: Andrew watched the live action remake of the Disney animated feature, Beauty and the Beast and D. Bethel discusses his experience at this year’s Sacramento Indie Arcade Expo.
REGRESSIVE RESURRXION: First, the comic book news cycle went nuts because the first post-Inhumans vs. X-Men book was released, X-Men Gold, which was then subsumed by the fact that people seemed to like it, which was then subsumed by the likelihood that X-Men Gold artist, Ardian Syaf, may have placed possibly intolerant symbology in not-so-hidden places throughout the book. Then it turned out that he definitely did that. It has been a roller coaster of news and insight into Indonesian politics (where Syaf resides) that has been mostly very sad and upsetting for X-Men fans.
*Extra Bit: Marius Thienenkamp of Comicsversewrote a thoughtful analysis and retrospective of this entire affair.
THE TWO MASTERS: On the threshold of the debut of Doctor Who‘s Series 10, it was revealed that actor John Simm would be returning to the show in his former role as The Master, the longtime foe of the show’s titular hero. Last seen at David Tennant’s departure from the lead role, he returns during the tenure of his successor, Michelle Gomez as Missy. What this means for the episode(s) in which they appear together (the last one or two of the season), we can’t yet say, but both Dan and Andrew are pretty excited about it.
WEEK IN GEEK: Andrew muses on cinematic magic of Fantastic Beasts and Where to Find Them while Dan can’t shut up about the podcast, S-Town.
INAPPROPRIATE APPROPRIATION: Dan and Andrew can’t ignore the strange vortex created by the controversies surrounding the cultural tone-deafness of Netflix/Marvel’s Iron Fist, the backlash to the live-action adaptation of Ghost in the Shell, and the recent shifty comments of Marvel’s VP of Sales, David Gabriel, regarding sales and the recent surge of diversity in the Marvel Universe. What the hell is going on?
WEEK IN GEEK: Andrew does his best to navigate menus and complex relationships playing Crusader Kings II while D. Bethel gets horribly disappointed while playing Samurai Shodown VI.
A TWISTED LEGEND:The Legend of Zelda: Breath of the Wild has been released to universal acclaim as a launch title for Nintendo’s new console (and as a tombstone for their previous console) but how much is pure nostalgia, how much is hype, and how much is it actually a good game. Well, neither Dan nor Andrew have played it, but with the conversation surrounding the game they do ask a pertinent question, “What is as Zelda game and does this new game meet it?”
With Iron Fist set to come out on Friday of this week, it seemed appropriate to do a quick round up of all the news and reviews that have been circulating in the previous week. For those who have been distracted by other news, Netflix has released the first six episodes of Iron Fist to a number of reviewers and critics. The response has been … less than was perhaps expected.
Iron Fist’s problems with its portrayal of Asian cultures and Asian-Americans are embedded throughout every episode. It’s just that its problems with delivering exposition, crafting consistent characters, and even basic dialogue writing run right alongside.
Had Netflix rolled out Iron Fist first, its unsteadiness would be forgivable; this is a process, after all. But it’s actually the final step before a huge showdown, so it can’t afford to buckle under the pressure. And yet, with all that riding on it, the first half of the season is just a checked box. Filler episodes are one thing, but right now Iron Fist looks like a filler season.
Iron Fist feels like a step backward on every level, a major disappointment that already suffers from storytelling issues through the first six episodes made available to critics and would probably be mercifully skippable in its entirety if it weren’t the bridge into the long-awaited Defenders crossover series.
First, it doesn’t live up to the quality of storytelling found in “Daredevil,” “Jessica Jones,” and “Luke Cage.” Plainly stated, “Iron Fist” is boring.
Of course, it is worth remembering that this is based entirely on the first six episodes. Rumors abound that the seventh episode of the series will be extremely violent. The episode has been rated 18 for “Strong Bloody Violence.” Given the stagnant impressions of the first six episodes, it remains to be seen if episode 7 (titled “Felling With Tree Routes”) is as much a dramatic turn as the portended graphically violent turn.
Given that the Defenders mini-series is already slated for a 2017 release, it’s clear that Iron Fist‘s poor initial reception will not stop the Marvel/Netflix hybrid from moving forward. That being said, it’s unfortunate that the same studio partnership that produced Jessica Jones, Luke Cage, and Daredevil has hit a slump with their most recent offering; whether this should be viewed as a bump in the road or an image of what’s to come is uncertain.