WEEK IN GEEK: The guys are again on the cutting edge of entertainment as Andrew begins playing Skyrim (albeit the Special Edition that was released for current platforms last year) while D goes all the way back to 2006 and plays Final Fantasy XII: The Zodiac Age (albeit the recently released HD remastered version).
DOCTOR NEW: After speculation accruing since Peter Capaldi announced he would be leaving the lead role of Doctor Who earlier this year, the BBC announced his replacement, Jodie Whittaker. And the internet went wild. (Time Stamp – 38:38)
Since they had so much to discuss, an entire “Shortcast” (despite it being basically the length of an entire episode) was dedicated to talking about the finale of the latest season of Doctor Who. SPOILERS BEWARE. NON-DOCTOR WHO FANS BEWARE (come back next week). Much talk is made about Stephen Moffat’s tenure as showrunner, the themes of the finale, and what Andrew and D. want out of the teased Christmas special.
D. Bethel will be exhibiting at the inaugural Sac Indie Expo in Sacramento this weekend. He’s looking forward to it not only because he gets to chat and hang out with fans and other local creators, but also due to the fact that the event is being held a phenomenal local brewery, Big Sexy Brewing Company. SIE will be on Saturday, July 15 from 12-5pm. It’s free to get in, so if you’re in the area, you have no excuse to not go.
Summer break is back with a vengeance, so the Shortcast run returns!
After a slight tangent discussing The Transformers and nostalgia, Dan and Andrew share their weeks in geek.
WEEK IN GEEK: Andrew plays Bioshock from the Bioshock: The Collection released to PC and consoles last year. Dan actually finishes a book before discussing it. This time, it’s the Kickstartered Wild Times: An Oral History of Wildstorm Studios by Joseph Hedges (now available for purchase).
WEEK IN GEEK: Andrew watches through the first season of the hit Starz show, Ash vs. Evil Dead while Dan plays through the 2014 Bethesda game, Wolfenstein: The New Order, the reboot of the classic first-person shooter Id franchise.
KEEPING SCORES: It was announced this week that Danny Elfman has been hired to compose music for the upcoming DCEU movie, Justice League, after the original composer, Tom Holkenborg (aka Junkie XL), amicably left the project. Dan and Andrew discuss the expectations for an Elfman score in a modern superhero cinema context, and discuss their thoughts on film and televisions scores in general.
WEEK IN GEEK: Andrew starts rewatching Star Trek: The Next Generation on Bluray while Dan finally opens up about Mass Effect: Andromeda now that he has finished the game.
THE LAST GRIPE: The video game expo, E3, always has its share of stories, reveals, and, most recently, at least, controversy. Tim Soret, founder of the studio Odd Tales, scored a coup by getting to go onstage during Microsoft’s pre-E3 press conference and talk about his game, The Last Night, and how it would be an exclusive to the company and its new powerhouse console, the XBox One X. However, Soret has a dicey history with gamers, and his pro-GamerGate and anti-feminist tweets were brought to light despite happening years ago. He has even said that The Last Light was created as a statement on feminist ideology. However, at E3, he apologized on stage for his stances. Should he be forgiven? Should he be held accountable? Should we play his game? Dan and Andrew discuss this static caused between art and artist.
WEEK IN GEEK: Both Andrew and Dan saw Wonder Woman this week and decided to bring in a third voice to discuss the movie, Mary Traverse (from our friendly rivals, The Nerdhole), and they go pretty deep into this excellent, excellent movie.
THE GREAT WAR: Noting the novel decision to set Wonder Woman during World War I, Dan and Andrew discuss that war’s place in popular culture.
For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“Is She With You? (Wonder Woman Theme)” by Hans Zimmer & Junkie XL (from Batman v Superman: Dawn of Justice)
-“En Avant La Musique” by Manuel Dante Mathieu Faivre, Miguel Vladimir Saboga, and Yvo Abadi (from Valiant Hearts: The Great War)
-“Wonder Woman Theme Song” performed by the Ron Hicklin Singers (written by Charles Fox and Norman Gimble)
WEEK IN GEEK: Andrew starts a Starbound server and learns about the administrative side of online multiplayer gaming while D. helps to make a game better by playing the PS4 beta release of Marvel Heroes Omega.
FAR CRYING: The trailer and promotional artwork for Ubisoft’s Far Cry 5 has inflamed a certain demographic of gamers, or has it? Our humble hosts investigate this conundrum.
WEEK IN GEEK: Fueled by the emotions generated by the recently released trailer for Star Trek: Discovery, Andrew slipped back into the Star Trek pool by spinning up Star Trek Online and Star Trek Timelines while D. reads the first trade collection of Eric Powell’s (formerly of The Goon) newest comic series, Hillbilly, from Albatross Funnybooks.
EXHAUSTED DESPAIR: D. Bethel saw the newest entry into the venerated Alien/Aliens franchise, Ridley Scott’s Alien: Covenant, and definitely had feelings about it. Fueled by an online discussion generated by The Hollywood Reporter article, “‘Why Alien: Covenant’ Is Actually a ‘Blade Runner’ Sequel in Disguise” by Josh Spiegel (and because Andrew hasn’t seen the new movie yet), it seemed only right to bring on friend of the show and Alien enthusiast, Taylor Katcher, to talk what worked and what didn’t work in this new movie.
WEEK IN GEEK: Andrew learns about the seedy underbelly of LEGO knock-offs while Dan preps for the upcoming Wonder Woman movie by watching the 2009 animated film.
DOCTOR WHO KNEW?: Dan and Andrew discuss their skeptical praise for the current series of Doctor Who. Five episodes in and all episodes have been undeniably good so far. Should they be waiting with baited breath for the show to stumble as it has done for the last five series? Or should they let their freak flag fly once again?
WAKING LIFE: Remedy Entertainment’s 2010 sleeper hit, Alan Wake, was summarily pulled from all digital storefronts last weekend due to the lapsing of the licenses paid for music featured in the game. It’s a strange situation considering exactly how many games––even those released before Alan Wake––use licensed music and are still available for purchase.
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