WEEK IN GEEK: Fueled by the emotions generated by the recently released trailer for Star Trek: Discovery, Andrew slipped back into the Star Trek pool by spinning up Star Trek Online and Star Trek Timelines while D. reads the first trade collection of Eric Powell’s (formerly of The Goon) newest comic series, Hillbilly, from Albatross Funnybooks.
EXHAUSTED DESPAIR: D. Bethel saw the newest entry into the venerated Alien/Aliens franchise, Ridley Scott’s Alien: Covenant, and definitely had feelings about it. Fueled by an online discussion generated by The Hollywood Reporter article, “‘Why Alien: Covenant’ Is Actually a ‘Blade Runner’ Sequel in Disguise” by Josh Spiegel (and because Andrew hasn’t seen the new movie yet), it seemed only right to bring on friend of the show and Alien enthusiast, Taylor Katcher, to talk what worked and what didn’t work in this new movie.
WEEK IN GEEK: Andrew learns about the seedy underbelly of LEGO knock-offs while Dan preps for the upcoming Wonder Woman movie by watching the 2009 animated film.
DOCTOR WHO KNEW?: Dan and Andrew discuss their skeptical praise for the current series of Doctor Who. Five episodes in and all episodes have been undeniably good so far. Should they be waiting with baited breath for the show to stumble as it has done for the last five series? Or should they let their freak flag fly once again?
WAKING LIFE: Remedy Entertainment’s 2010 sleeper hit, Alan Wake, was summarily pulled from all digital storefronts last weekend due to the lapsing of the licenses paid for music featured in the game. It’s a strange situation considering exactly how many games––even those released before Alan Wake––use licensed music and are still available for purchase.
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WEEK IN GEEK: With Andrew sick this week, the Shortcast ends up being a bit more organic than normal with both Andrew and D. sharing stories about this year’s Free Comic Book Day festivities. Specifically, Andrew got his hardback copy of Ms. Marvel, volume 1 signed by the creator herself, G. Willow Wilson, while Dan discusses the Hulu Original documentary, Batman & Bill.
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Despite having missed last year’s Free Comic Book Day celebration at Empire’s Comics Vault, this year’s event passed like no time was lost. I’ll be honest, the main reason why I like to go back is to hang out for a day in a room with a bunch of people I know––some of whom I’ve known for years, a situation in which I rarely find myself. Personally, I looked at the event as a welcome reprieve as I had just collected about a hundred final portfolios from my writing classes (my day job) and had no problem delaying my head-first dive into them.
I was tabled between old friend and fellow webcomicker, Melissa Pagluica (who makes Above the Clouds), and artist Julie Okahara. All of us in our row were pretty much chit-chatting the entire time which made the time pass somewhat quickly (most of us had arrived by 7:30 am; it was a long day).
Because of the early hour, Ben (the owner of the shop) had allowed us to set up the day before the event. I fretted quite a bit with my table setup, but I ended up pretty happy with the final layout. Tabling at a show is an art in its own right, relying on visual rhetoric and some fundamental grasp on 3D design; I know a little about the former and go by feel for the latter. Ultimately, I was pretty happy with how it ended up.
This event marked the debut of the Logan-inspired print, “Legacy,” as well as my sketch collection, BackMatter (which is now on sale in the store!) and though “Legacy” may not have been the most appropriate piece for this all-ages show, most people got a chuckle out of the Long John, volume 1 cover with kids pointing in shock, joy, or horror as they waited in line to grab their free comics.
Ben also allowed us who setup early the chance to grab what we wanted from the FCBD offerings, so I picked through having only glanced at what the titles would be.
So far, I’ve only sat down and read through Skottie Young’s I Hate Image, a short story featuring the protagonist from his hit Image book, I Hate Fairyland, and it is hilarious especially if you are familiar with some of the faces of key players at Image Comics. I’ve read through the Doctor Who book as well and found it a rather clever use of art to delineate different Doctors within the story. Bad Machinery was a surprise for me because I have been a fan of creator John Allison’s work for years back when he did a webcomic called Scary-Go-Round which he shuttered and replaced with a spinoff, Bad Machinery. While still doing webcomics, he has found success with the print comic, Giant Days, which he writes for Boom! comics. So, it was nice to see webcomics represented in the mix of Big 2 (Marvel and DC) and other major publishers.
I also picked up the most recent two issues of Melissa’s comic, which you can also get from her Etsy store (where issue 6 is on pre-order).
Lastly, I indulged in the very generous sale the store was having and picked up some books I had my eye on for awhile but never had the guts to take the plunge. I have not been shy about my love for the work of Becky Cloonan. I first really saw her work when she did a fill-in issue on Batman during the New 52 run and was blown away by her style. Soon after, I found her store online and bought her stuff, focusing on her single-issue short stories that are rather opaque but beautiful. These comics were called Wolves, The Mire, and Demeter. Opaque may be the wrong word for it; they’re just very sparse and open for interpretation. Reading her work is challenging and begs for re-reading. However, she has done work in more mainstream comics (as with Batman) in between her creator-owned passion projects. One of her early forays into sequential art was a series called Demo for Dark Horse Comics. Written by Brian Wood, it is a series of 18 stories each about a different teenager with a power of some kind. Since finishing, it has been made available in a big omnibus collection which I picked up at reasonable discount.
Also, with the Wonder Woman movie arriving in June, I figured I should not be a poser and actually read some Wonder Woman. Of DC’s initial “New 52” launch (many books were cancelled and new ones introduced later in the New 52 lifespan), I remember hearing very positive things about what Brian Azzarello and Cliff Chiang were doing with Wonder Woman. At the time, I liked keeping my net shallow and the only New 52 book I read was Batman. But now that the New 52 is done and that story is completed, I figured that (with a sale, to boot) it would be the perfect chance to go back and check out this run on a classic character. I haven’t dug into it yet but Nicole––my spouse––has thoroughly enjoyed it so far.
I came away from the day exhausted with some good sales and even better conversations. With luck, I look forward to doing it again next year.
LUDO-NARRATIVE DISSONANCE: Noted video game critic, Ian Bogost, got blood boiling when he wrote the salaciously titled, “Video Games Are Better Without Stories,” for The Atlantic. D. and Andrew investigate the argument Bogost is making––its good points and its flaws––while also talking about why people play games in the first place. Dan talked about Ian Bogost’s book, How to Talk About Video Games, back in “Episode 76 – Beepop.”
WEEK IN GEEK: Andrew puts his manual dexterity and patience to the test while assembling the LEGO Creator Expert Parisian Restaurant set, while Dan can’t stop playing Double Fine’s recent release of Full Throttle Remastered.
LAPSING SUBSCRIPTIONS:DC Comics announced that the third season of the fan-beloved Young Justice animated series, which will be called Young Justice: Outsiders, will be an exclusive release on DC’s as-of-yet unreleased subscription streaming service. It marks yet another step in content providers eschewing more popular platforms like Netflix, Hulu, or Amazon Prime in favor of doing something similar but centralizing around their specific content. Is this where streaming is heading, to a diversified subscription market? Or is it a swing at extra revenue that will ultimately be futile? D. Bethel and Andrew discuss.
An article filed by The Hollywood Reporter revealed that 20th Century Fox has slated three movies set in its own X-centric (no pun intended) universe for 2018. While not the biggest of surprises, it at the very least hints at a big push by the Marvel Studios competitor for a larger share of superhero cinema profits. Hot on the heels of an announcement regarding Fox’s other major franchise investment––James Cameron’s Avatar series––revealing their release dates for the next three sequels, Fox confirmed that their blockbuster season will start with the newest entry into Fox’s X-world, and one that is a bit of a gamble at that.
The New Mutants
Announced to open on April 13, 2018, The New Mutants is in pre-production at the moment with Josh Boone (The Fault in Our Stars) directing. The spring release date is a safe one as it allows it to miss much of the summer and winter blockbuster melodrama. This movie has had a lot of speculative casting in the news over the last few months, no doubt gearing up some excitement for a series of characters relatively unknown to the greater populace. The New Mutants were introduced in 1983 as the first major spinoff to theX-Men, bringing back the original conceit: a team of teenaged mutant heroes lead by Professor X. The movie is based on the early issues, specifically on a storyline called “The Demon Bear Saga,” that are well-regarded by fans and critics. The New Mutants eventually became a fertile playground for the notorious Rob Liefeld, who introduced characters like Cable, Deadpool, Domino, and Shatterstar, among others, in its pages. The series ended with issue #100 at which point the series was renamed X-Force. With an X-Force movie desired by the Fox bigwigs, they may be viewing The New Mutants as a stepping stone for that eventual film.
The hotly anticipated Deadpool 2 will follow with an early summer release on June 1, 2018. Summer is big business for blockbuster movies and Fox is clearly betting on the hope that Deadpool will be a contender (which it will very likely be). More importantly, it will be released just under a month after Avengers: Infinity War opens and a little over a month before Ant-Man and the Wasp debuts, placing it firmly in the middle of what Marvel is guaranteeing to be their summer (DC/Warner Bros.’s Jason Momoa-led Aquaman will be opening in July as well, making it a very busy season indeed). In contrast, the first movie was such an underdog contender, it was released at one of the slowest box office points of the year––February––so the new release date definitely shows the confidence the studio has in the character and its creative team. Deadpool 2 recently made the news rounds with the rather surprising casting news that the MCU’s own Josh “Thanos” Brolin will be playing Deadpool’s time hopping straight-man, Cable, which paved the way nicely for this scheduling announcement. As mentioned on the site previously, even though Deadpool 2 has had its share of hiccups during pre-production with the exit of original director, Tim Miller, and taking with him original composer, Tom Holkenborg aka Junkie XL, the studio filled the open seat with John Wick director, David Leitch, and things are moving full steam ahead.
X-Men: Dark Phoenix
Finally, the next ensemble X-Men film, X-Men: Dark Phoenix, has been given an opening date of November 2nd, 2018. This is perhaps the most surprising film in the announcement. With the critical and financial wobble that X-Men: Apocalypse had last summer, the future of the franchise was in question among critics and fans while the studio was also being rather quiet. Secondly, while both long-time X-Men director, Bryan Singer, and long time X-Men writer/producer, Simon Kinberg, have hinted at different directions to go with the next film, the reveal of the title in this announcement solidified their direction and ended much speculation since “The Dark Phoenix Saga” is likely the most famous X-Men storyline in its history. One can assume that Game of Thrones star, Sophie Turner, will reprise her role as Jean Grey, but it leaves fans to wonder how much of the other cast will return considering the slapback X-Men: Apocalypse received. While winter is not nearly as fiscally important a season as summer, it is the second largest period for income-generation with, in the past, large franchises like Lord of the Rings and Harry Potter opening in November or December. Given the current slate of Marvel Studios and DC/Warner Bros. movies, it looks like, for now at least, X-Men: Dark Phoenix may have fairly light competition. Currently, Simon Kinberg is the favorite to direct, which would mark his feature directing debut, taking the helm from Bryan Singer. This film stands to be the most interesting of the three, as we wait to see how the success of experimental films like Deadpool and Logan influence the overall tone and approach to the now 17 year-old franchise.
While such an X-heavy year may point at a renewed interest in creating a shared universe between the films––that is a natural response to this type of schedule since it is basically what Marvel has done to establish its own––that is probably more speculation than likelihood. If we can pull anything from this schedule it is that despite the public lashing X-Men: Apocalypse took, and with the success of Deadpool and Logan, Fox is willing to put more faith and muscle behind their Marvel franchise in the face of Marvel Studios’ general dominance in the last decade. This is important because, in the wake of that cinematic giant, Fox seems to be finding its own path and voice and is making a different animal rather than just playing in the shadow of what’s been done before, and the new ideas that Fox has recently brought to the table are things that people seem to enjoy. With hope they keep experimenting and help keep the superhero movie genre on its toes in general.
WEEK IN GEEK: Andrew plays super sentai producer in Chroma Squad while D. Bethel gets introspective while drawing old high school characters for his “Sketch Fridays” series at LongJohnComic.com.
THE BEGINNING OF THE END: The final Doctor Who series to feature current Doctor, Peter Capaldi, and current showrunner, Steven Moffat, began last weekend with “The Pilot,” which also introduced the new companion, Bill Potts. Dan and Andrew discuss their reactions to the episode.
NERD LAW – YOUTUBE EDITION: Andrew dusts off his non-advisory expertise to talk about a recent situation that occurred during Dan’s livestream of God of War III. They talk copyright, YouTube’s priorities, and Chinese variety shows.
This weekend was Star Wars Celebration Orlando, the twelfth instance of the Star Wars Celebration experience. Star Wars Celebration is usually an opportunity for fans to get together and talk about their love of Star Wars. Of course, it’s also a great opportunity for the people that make Star Wars to unleash new content onto the world. This year was no different.
Perhaps the biggest news is the revelation of a trailer for Star Wars: The Last Jedi:
The Internet is already abuzz over the release of the first trailer for Star Wars: Episode 8: The Last Jedi. Mark Hamill drives the trailer as Luke Skywalker, providing the overall narration and a lot of heavy context to the “Last Jedi” aspect of the title. It sounds like the film will address the “balance of the Force” theme that first appeared in The Phantom Menace and has been further explored in Season 3 of Star Wars: Rebels. I’ve already spent an undue amount of time trying to determine if Tom Baker found his way on to the cast list, given his role as the Benduin Star Wars: Rebels. With a release expected this December, there’s already a lot of fan excitement developing for this title.
In addition to the Episode VIII trailer, a preview for the upcoming fourth (and final!) season of Star Wars: Rebels was also released:
For those not following Star Wars: Rebels, it is the story of a cell of rebels fighting the Empire that become an essential part of the Rebel Alliance. The show has continued to provide a background for the formative years of the Rebel Alliance, and this final year appears to be no different. Season 3 villain Admiral Thrawn makes an appearance in the trailer (with what appears to be a silly General Veers style helmet) as does Katee Sackhoff’s character Bo-Katan, who was previously seen in Star Wars: The Clone Wars. Forest Whitaker’s character Saw Gerrera also appeared briefly. With regard to thematic content, it appears that they will be addressing both the “balance of the Force” theme and the battle for Mandalore (which was an element of Sabine’s storyline from Season 3).
Probably the only character not featured (despite claims that her fate would be addressed) was Ahsoka Tano. As /Film’sPeter Sciretta points out, showrunner Dave Filoni seemed to tease the audience with a clever t-shirt swap during the Rebels event last weekend.
Given everything Star Wars that was unleashed in Orlando, it looks like 2017-18 will be a relatively big year for the franchise.
WEEK IN GEEK: Andrew watched the live action remake of the Disney animated feature, Beauty and the Beast and D. Bethel discusses his experience at this year’s Sacramento Indie Arcade Expo.
REGRESSIVE RESURRXION: First, the comic book news cycle went nuts because the first post-Inhumans vs. X-Men book was released, X-Men Gold, which was then subsumed by the fact that people seemed to like it, which was then subsumed by the likelihood that X-Men Gold artist, Ardian Syaf, may have placed possibly intolerant symbology in not-so-hidden places throughout the book. Then it turned out that he definitely did that. It has been a roller coaster of news and insight into Indonesian politics (where Syaf resides) that has been mostly very sad and upsetting for X-Men fans.
*Extra Bit: Marius Thienenkamp of Comicsversewrote a thoughtful analysis and retrospective of this entire affair.
THE TWO MASTERS: On the threshold of the debut of Doctor Who‘s Series 10, it was revealed that actor John Simm would be returning to the show in his former role as The Master, the longtime foe of the show’s titular hero. Last seen at David Tennant’s departure from the lead role, he returns during the tenure of his successor, Michelle Gomez as Missy. What this means for the episode(s) in which they appear together (the last one or two of the season), we can’t yet say, but both Dan and Andrew are pretty excited about it.