WEEK IN GEEK: Andrew gets through the first episode of season 2 of Netflix’s Stranger Things and has LOTS of opinions––not about the show, but about streaming in general. Dan succumbs to weakness and plays the Deadpool video game (while simultaneously playing the much better––but much more intense––Wolfenstein II: The New Colossus).
WEEK IN GEEK: Andrew talks about the premier of the new (and final) season of Star Wars: Rebels while D. Bethel talks about Netflix’s new based-on-a-true-story-kind-of David Fincher-led crime drama, Mindhunter.
SPOOKYTOBER: In celebration of the scariest month of the year, Andrew and D. discuss a movie each that really, truly gave them the scaries. Andrew discusses the cult classic, Jacob’s Ladder, while D. discusses the forgotten gothic horror of The Others.
Episode 20 – “Hydra Healthcare”: A previous Spookytober episode where, in the discussion, D. and Andrew discuss the video games that scared or unsettled them.
WEEK IN GEEK: In a fit of nostalgia, Andrew picks up The Sims 3 again (starts at 1:49) while Dan can’t get past a nit-pick to enjoy anything Netflix’s Castlevania has to offer (20:46).
SDCC 2017: [starts at 34:04] It was a big weekend for nerd culture as the San Diego Comic Con dropped a bunch of new trailers on the world. Dan and Andrew look at three trailers and how they seem to be pointing out the creative direction of their respective studios with Marvel’s Thor: Ragnarok, DC/Warner Bros.’ Justice League, and Steven Spielberg’s Ready Player One.
For reference, here are the three trailers the discussion focuses on.
WEEK IN GEEK: Andrew puts his manual dexterity and patience to the test while assembling the LEGO Creator Expert Parisian Restaurant set, while Dan can’t stop playing Double Fine’s recent release of Full Throttle Remastered.
LAPSING SUBSCRIPTIONS:DC Comics announced that the third season of the fan-beloved Young Justice animated series, which will be called Young Justice: Outsiders, will be an exclusive release on DC’s as-of-yet unreleased subscription streaming service. It marks yet another step in content providers eschewing more popular platforms like Netflix, Hulu, or Amazon Prime in favor of doing something similar but centralizing around their specific content. Is this where streaming is heading, to a diversified subscription market? Or is it a swing at extra revenue that will ultimately be futile? D. Bethel and Andrew discuss.
WEEK IN GEEK: Andrew does his best to navigate menus and complex relationships playing Crusader Kings II while D. Bethel gets horribly disappointed while playing Samurai Shodown VI.
A TWISTED LEGEND:The Legend of Zelda: Breath of the Wild has been released to universal acclaim as a launch title for Nintendo’s new console (and as a tombstone for their previous console) but how much is pure nostalgia, how much is hype, and how much is it actually a good game. Well, neither Dan nor Andrew have played it, but with the conversation surrounding the game they do ask a pertinent question, “What is as Zelda game and does this new game meet it?”
With Iron Fist set to come out on Friday of this week, it seemed appropriate to do a quick round up of all the news and reviews that have been circulating in the previous week. For those who have been distracted by other news, Netflix has released the first six episodes of Iron Fist to a number of reviewers and critics. The response has been … less than was perhaps expected.
Iron Fist’s problems with its portrayal of Asian cultures and Asian-Americans are embedded throughout every episode. It’s just that its problems with delivering exposition, crafting consistent characters, and even basic dialogue writing run right alongside.
Had Netflix rolled out Iron Fist first, its unsteadiness would be forgivable; this is a process, after all. But it’s actually the final step before a huge showdown, so it can’t afford to buckle under the pressure. And yet, with all that riding on it, the first half of the season is just a checked box. Filler episodes are one thing, but right now Iron Fist looks like a filler season.
Iron Fist feels like a step backward on every level, a major disappointment that already suffers from storytelling issues through the first six episodes made available to critics and would probably be mercifully skippable in its entirety if it weren’t the bridge into the long-awaited Defenders crossover series.
First, it doesn’t live up to the quality of storytelling found in “Daredevil,” “Jessica Jones,” and “Luke Cage.” Plainly stated, “Iron Fist” is boring.
Of course, it is worth remembering that this is based entirely on the first six episodes. Rumors abound that the seventh episode of the series will be extremely violent. The episode has been rated 18 for “Strong Bloody Violence.” Given the stagnant impressions of the first six episodes, it remains to be seen if episode 7 (titled “Felling With Tree Routes”) is as much a dramatic turn as the portended graphically violent turn.
Given that the Defenders mini-series is already slated for a 2017 release, it’s clear that Iron Fist‘s poor initial reception will not stop the Marvel/Netflix hybrid from moving forward. That being said, it’s unfortunate that the same studio partnership that produced Jessica Jones, Luke Cage, and Daredevil has hit a slump with their most recent offering; whether this should be viewed as a bump in the road or an image of what’s to come is uncertain.
WEEK IN GEEK: Andrew messes with controller schematics for X-Com 2 while Dan freaks himself out as he delves into Syfy’s Channel Zero and the HBO documentary, Beware the Slenderman.
THE DOCTOR NO MORE: As Peter Capaldi announces his departure from the role of The Doctor in Doctor Who, speculation begins as to who will take his place in Series 11 which brings with it a new showrunner, Chris Chibnall.
EVEN STRANGER: With the only time we’ll mention the Super Bowl on the podcast, Netflix’s Stranger Things debuted its second season teaser trailer during the big game and Andrew and Dan dive into their expectations.
WEEK IN GEEK: Andrew watches Netflix’s Travelers while Dan watches Warner Bros.’ Suicide Squad.
GAME OVER ALL OVER AGAIN: This week, Dan and Andrew discuss not only the built-in replayability of games but also examine why we replay games. Simply among the two hosts, the reasons for replaying games differs vastly, which caused us to ask the following:
Why do you replay games and what games (or kinds of games) those would be (tell us in the comments)?
SPOTLIGHT – RESIDENT EVIL: With the release this week of Resident Evil VII: Biohazard (or for those in Japan, Biohazard VII: Resident Evil), Andrew and Dan look back at the game that spurred a genre and kicked off a franchise that is now over twenty years old.
WEEK IN GEEK: Andrew watches the season 3 premiere of Star Wars: Rebels (as well as talks about the extended edition of Ghostbusters aka Ghostbusters: Answer the Call) while Dan talks about going to a heavy metal show to see the band, High Spirits.
BULLETPROOF BLACK MAN: Dan and Andrew talk about their first impressions of Marvel/Netflix’s Luke Cage, the latest entry in the Marvel Cinematic Universe. Though neither had finished the season by the time of this recording, they talk about the general conversation about the show and what it brings to the superhero cinematic genre that others haven’t really done before. Dan published some interesting links this week about Luke Cage, specifically.
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For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“Theme” by Adrian Younge & Ali Shaheed Muhammad (from Luke Cage)
-“Up and Overture” by High Spirits
Marvel/Netflix’s Luke Cage has a lot of people talking a mere week and a half after being uploaded to Netflix’s servers, and for good reason. While ostensibly linked to the more popular popcorn faire that is the “superhero genre” of films created by Fox, Sony, Warner Bros., and Marvel over the last sixteen years, Netflix has done more to push the genre forward and upward with its four seasons of shows than has really been done since The Dark Knight. Luke Cage alone has elevated the discourse in our popular culture to the point where the greater populace can not only talk about blackness in America, but it’s getting white America to listen to conversations about blackness in America. The last time a live-action superhero production instigated a larger conversation about deep-seated issues in America was not this summer’s Captain America: Civil War, Batman v. Superman: Dawn of Justice, nor X-Men: Apocalypse, but last year’s Jessica Jones––a Marvel/Netflix (Martflix?) show. Like Jessica Jones before it, Luke Cage approaches its issues in a variety of incredibly subtle, as well as not so subtle, ways, but the fact that it’s approaching them at all––and giving these issues narrative prominence––sets it apart from most other entries in the genre.
Perhaps it’s the fact that I’m an English teacher (albeit not one of Literature, but of Composition and Rhetoric), but I noticed right away how many books dominated the show (at least in the front half––I’m not quite done with the season yet as of this writing) and how diverse Cage’s tastes were––in terms of race, sure, but also in terms of genre.
Dr. Tara Betts briefly discusses the books given center stage in the show, but expands that view into a full reading list that addends and complements the show. Some are a bit jokey (the Where’s Waldo? choice), others are referential (picking a Geoffrey Canada book since the writer was referenced by Cottonmouth at one point), and others are thoughtful on a pedagogical level (Acres of Skin, Cutting Along the Color Line), all of which could be used to describe the show itself.
Like I did for the “Worth a Look” about Stranger Things, I’m featuring this article even though I didn’t read it yet because it boldly sports a spoiler warning, and I––wishing to hold onto some aspect of nerd integrity––want to watch the rest of Luke Cage clean.
Evan Narcisse’s article is presented as a dialogue between four writers discussing the major cultural issues as presented and challenged in Luke Cage. In fairness, many articles have been written about this aspect of the show, but this gathering of different points of view on the same subject is an attractive and important approach. Especially as a white dude from the coast of California––and as a teacher––it’s these discussions that I need to find and listen to.