WEEK IN GEEK: This week, Andrew watches the trippy but artistic and engaging new Amazon Prime show, Undone starring Rosa Salazar, while D. Bethel––amidst all of his academic toil––finds time to be challenged and charmed by the actual roguelike deckbuilding phone game, Meteorfall: Journey by SlothWerks.
OPPORTUNITY DIABLOWN: At the end of the keynote presentation for this year’s BlizzCon––a convention devoted to game developer, Blizzard, created by game developer, Blizzard––the wildly successful PC developer announced a new entry into its long-running and beloved Diablo franchise: Diablo: Immortal. While ostensibly a new Diablo game, Diablo: Immortal is a phone game made not by Blizzard but by Chinese mobile developer, NetEase, and it was decidedly not the game fans wanted news about: Diablo IV. In a backlash of epic proportions, Blizzard has tried to course-correct which only dug them in deeper, D. Bethel and Andrew investigate the aloofness of Blizzard, the entitlement of fandom, and the hazy trouble in-between.
Bethel, D. “The Week – 26 October 2018.” Long John. ––Where D. Bethel wrote about people judging texts based on news, images, previews without actually seeing the final content.
WEEK IN GEEK: Andrew dives into “the German Stranger Things” as he watches the first three episodes of the Netflix series, Dark, while D. Bethel gets lost in an RPG-tinged clicker game called Almost a Hero by Bee Square Games.
WEEK IN GEEK: Fueled by the emotions generated by the recently released trailer for Star Trek: Discovery, Andrew slipped back into the Star Trek pool by spinning up Star Trek Online and Star Trek Timelines while D. reads the first trade collection of Eric Powell’s (formerly of The Goon) newest comic series, Hillbilly, from Albatross Funnybooks.
EXHAUSTED DESPAIR: D. Bethel saw the newest entry into the venerated Alien/Aliens franchise, Ridley Scott’s Alien: Covenant, and definitely had feelings about it. Fueled by an online discussion generated by The Hollywood Reporter article, “‘Why Alien: Covenant’ Is Actually a ‘Blade Runner’ Sequel in Disguise” by Josh Spiegel (and because Andrew hasn’t seen the new movie yet), it seemed only right to bring on friend of the show and Alien enthusiast, Taylor Katcher, to talk what worked and what didn’t work in this new movie.
WEEK IN GEEK: As promised, Andrew watches (and loves) The LEGO Batman Movie while Dan can’t stop playing Righteous Hammer Games.
EPISODIC SERIALIZATION: With Channel Zero: Candle Cove last week and both Dan and Andrew engrossed in The People vs. OJ Simpson: American Crime Story, Andrew and Dan look at what seems to be a rising tide of season-long anthology television shows. Moving away from episodic anthology shows to a single story told across an entire season and changing stories and cast in the following season, shows like American Horror Story and True Detective brought this format to the forefront of popular culture.
AMERICAN CRIME STORY AND THE FICTIONALIZATION OF LIVING MEMORY: As mentioned above both Dan and Andrew are oddly obsessed with The People vs. OJ Simpson and, frankly, they take some time to wonder why.
-“Stayin’ in Black” by Wax Audio
-“Far From Any Road (Main Title Theme from True Detective)” by The Handsome Family
-“Time” by Titiyo
Although Dan and I lamented, cursed, and even sang songs about the year that was 2016, it was sort of a big year in one important way. The mobile game market has become a hot bed of gaming activity. 2016 (including the end of 2015, to be fair) saw a few big names throw their intellectual properties into the ring. Somewhere in that maelstrom that is pay-for-play micro-gaming, I got caught up in the ride. Although we’re already several days into the new year, I thought it would be appropriate to look back on all the games that I looked at, played, talked about, and otherwise engaged with in 2016.
Star Wars: Galaxy of Heroes by Electronic Arts
Technically, Star Wars: Galaxy of Heroes was released near the end of 2015, but I did not get to it until much later. It was my Week in Geek in Episode 93 – The Clay Man Incident. Filled with many characters, locations, and ships from the Star Wars universe, this turn-based squad based battle game provides a vast amount of content. There are a lot of different characters from the movies and television shows that you can group together to battle.
Since I first started playing back in April, they’ve added a great deal of content. The game expanded beyond the simple five on five combat to include massive “raid bosses,” in which player-organized guilds fought to defeat a massive enemy in turns. More recently, they added a ship combat mode in which X-Wings and TIE Fighters shoot it out in an entirely new (yet surprisingly similar) game mode. Some of the more recent content has been viewed somewhat negatively; what started out as an effective “could be played for free but maybe I’ll spend a little” game has turned into a “if you can’t spend a huge amount, don’t even bother” game. Accusations of rampant cheating have also soured some paying players from participating (at least some of those that I have spoken to), an important consideration since so much of the game relies on playing against other players.
In the end, the biggest draws for Star Wars: Galaxy of Heroes are still the ongoing stream of new character content and the powerful license. Even for folks that disliked The Phantom Menace (or the prequels in general) or don’t follow Rebels, the depth of Star Wars content in Galaxy of Heroes will keep nearly every fan interested for as long as they keep providing it.
Always interested in trying to do something as well as somebody else, Warner Bros. released their own squad-based battler in November. I discussed my initial thoughts back in Episode 114 – Su Gana. Very similar in feel to Star Wars: Galaxy of Heroes, this game features an array of heroes and villains from the DC Comics universe. Perhaps the biggest gameplay difference from the aforementioned Star Wars title is the presence of a loose story to tie the narrative together: “As the shadow of the Blackest Night prophecy falls on every world, sheer force of will alone cannot save the shattered DC Universe.”
Still in its first few months, most of the additions to DC Legends so far have come in the form of character and event additions. As with other freemium games, chasing the “hot new character” is an important part of the gameplay. The game has yet to do any major additions or changes, still relying on the basic gameplay elements to keep the game going.
With so many similarities to the slightly more mature Galaxy of Heroes, this title has a lot of catching up to do. The biggest driver for this game is the fact that you can have Black Canary, Sinestro, the Flash, and Zatana fighting together against… well, whoever gets thrown at you. At that point, it feels like it’s more a matter of what license do you want taking your money and time and less which game you think is better designed.
Final Fantasy: Brave Exvius is the second Final Fantasy themed freemium mobile game that Dan and I both found ourselves playing (at least for a bit). We both discussed our initial impressions of this game in Episode 99 – Jaw-Jackin’. Since that initial release, they’ve added more content both in the way of the “story” mode and in semi-regular themed events. Compared to the previous mobile game, Final Fantasy Record Keeper, Brave Exvius brings a lot more to the “game” front. The “story mode” feels a lot more like something that might be a classic Final Fantasy game with a narrative, dungeon exploration, and the sorts of thing one expects. That being said, random battles have been replaced with a more “spend energy to explore” style freemium model.
All that being said, it combines enough of “new experience” with “recognizable intellectual property” that seems to be essential to the constantly churning market that is freemium mobile games. The story introduces a new world with new characters, but connects it with the recognizable characters of classic Final Fantasy through the power of “Visions.” You build a party of characters from both the main characters and these collectible “Visions” and use them collectively in battles to explore new areas, discover treasures, and unlock additional content. Since its initial release, they’ve added some significant content updates that provides access to more things to do, additional things to unlock, and more items to craft.
Similar to Final Fantasy: Record Keeper, this game leans heavily on overall Final Fantasy nostalgia and probably has little appeal to people that don’t know much about the expansive worlds. Although essential in battle, these characters do not involve themselves in the story or have any contribution to anything; they simply serve as warriors to kill off the never-ending legion of monsters. However, as Dan pointed out, the characters are drawn and animated very well, giving a new appearance to many of the classic characters. If nothing else, they look good.
I first talked about the new Molyneux title, The Trail, in Episode 114 – Su Gana and followed up in Shortcast 19 – What Was Town? Although it didn’t stay too long on my play rotation, it did stand out from most of the mobile games on the current market. Whether due to the Molyneux involvement or, in the alternative, development by Kongregate, The Trail feels more like a collecting and crafting themed video game and less like a pay-to-play freemium title. Yes, the game still occasionally throws a “buy this special pack” splash page at you, but with nowhere near the intensity of most of the market.
But, let’s be honest. Though it may feel like a collecting and crafting video game, it’s not a particularly great one. Specifically with the need (whether literal or perceived) to play for extended periods at a time, it makes it tough for this game to survive in a market that specializes in repeated, yet relatively brief, engagements. When you put these two together, it feels like the better option would be to try a different mobile game or get a more in-depth crafting game for the console or PC instead of mobile.
In the ongoing quest to play as many of the hot new mobile games as possible, this is one that pretty much came and went before I even had time to mention it. First released in October 2016, Plants vs. Zombies: Heroes is a fusion of the recognizable franchise that is Plants vs. Zombies with the mechanics of something like Hearthstone. In a sense, it’s tower defense meets digital trading card game. Players play as either a plant or a zombie, with a deck of cards built from a pool corresponding to your side and whatever sub-faction your “hero” is affiliated with. For example, the zombie hero Super Brainz can choose his cards from the Sneaky and Brainy categories of zombie cards. The game is played one-on-one, with a slight difference in how the game plays for zombies and plants.
There are a lot of different cards out their with which to customize decks, leading to a lot of variation in play. Of course, like any trading card game, it requires a certain dedication to the meta. Players can’t just be good at playing cards; they have to be good at figuring out which cards work well in which decks. Like Hearthstone, the deck-building portion is just as important as the actual play portion of the game. This puts it in a strange place with respect to the competition. It is not as deep or developed as a card game as something like Hearthstone and its likely too involved and complicated when compared to the original Plants vs. Zombies. Although I don’t personally know that many PvZ players, I suspect most of them were quickly turned off by the complexity of PvZ:H. We will have to wait and see how it turns out going forward.
This is another one of those “it actually came out in 2015” games, but it found its way back into my play rotation when I started playing Fallout 4. This is one of the few mobile games that Dan and I did NOT spend a great deal of time discussing on the show, mostly because it sort of “came and went” for both of us relatively quickly after its release (although Dan played it obsessively for a week or so). However, you can hear our friends at the Nerdhole talk about it here, in Episode 33 – Fallout Shelter.
When released, Fallout Shelter was mostly a quick little “collect resources, build more buildings, grow more people, collect more resources” sort of game. Not much more than your typical aquarium “log in and tap” sort of game. Since its release, they’ve added some content meant to add more depth to the game. There is now a quest system, special outfits and equipment, and some new features added. It’s a nice improvement from the original title and worth the time for folks really engaged with the Fallout style. With Bethesda already moving to develop more smartphone and mobile titles in the future, it should be interesting to see where they take gaming to next.
One of the more recent mobile games to make its way onto my smartphone, Marvel Avengers Academy is one of the many “aquarium” style games present in the market. I first mentioned it in Episode 111 – #CyclopsWasRight. It’s nothing complicated or fancy. Some even argue it’s not much of a game; it’s more just a thing you turn on every few hours and tap with some regularity. But don’t let that fundamental lack of compelling gameplay fool you! It can actually be quite an entertaining product, especially for people with interest in the characters upon which the game is based.
From a gaming perspective, MAA is probably easiest to compare to a worker placement style board game. There are fixed locations (Stark Tower, the Avenger Dorms, the Shooting Range), a set of characters with fixed actions that take different amounts of time, and a series of tasks or missions that need to be accomplished for prizes. Part of the challenge is finding ways to best (rather, most efficiently) complete the missions assigned. Inefficient play is not prohibitive to advancement, but it does slow down unlocking new characters, buildings, and actions.
What keeps the game changing is a constant stream of new special events. When I began playing back in October, they had just started a special Halloween-themed event. The Academy was under attack by the forces of Mephisto and an array of strange characters joined my Academy team, including Ghost Rider, Misty Knight, and Moon Knight. Shortly after that four-week event concluded, the Academy fused with Dr. Strange’s Sanctum Sanctorum as the forces of Kaecilius attacked. With each new event comes new characters with novel new actions and animations. All of it is tied together with a somewhat organized storyline in which the origin of the Academy, the fact that most of the characters are in their teens, and the “truth” about what’s going on are waiting to be uncovered.
As a Marvel fan, it’s a cute time-waster that never asks too much. The narrative that they are slowly revealing is enough to keep me tapping and the ongoing array of new and interesting characters are sufficient to keep me coming for more.
2016 saw a lot of new content come to mobile and handheld devices. A lot of it came wrapped in massive licenses, whether they be comic books, video games, or movies. As we enter 2017, new games will be made, old ones will be upgraded, and some will just fall by the wayside. Continuing to find new ways to keep the gameplay interesting while not driving away too many players with paywalls will continue to be a challenge. Of course, there’s always the issue of micro-transactions and the lasting effect it has on player retention, but that’s a discussion for another time.
WEEK IN GEEK: To celebrate Thanksgiving in the United States, Andrew and Dan share their recent happenings. Andrew plays more of The Trail while Dan reads through his new copy of The Art of Metal Gear Solid V and reads the Metal Gear fan comic, “Yellowcake,” by millionfish.
Leave your thoughts about this week’s topics at forallintents.net. Join the official Facebook group for site updates, links, and conversations with other listeners. Be sure to watch, like, and subscribe to the official YouTube channel, too. To help spread the word, please subscribe to the show and leave a review of it on the iTunes store.
For all intents and purposes, that was an episode recap. And Happy Thanksgiving!
-“Thunder Busters” by Wax Audio
-“You’re My Best Friend” by Queen
-“Thank You” by High Spirits
WEEK IN GEEK: Andrew listens to an academic argument about free to play games and, inspired by it, plays Marvel Avengers Academy while Dan plays through Episode 2 of Batman: The Telltale Series and still can’t believe how awesome Bruce Wayne is.
#CYCLOPSWASRIGHT: Bringing back resident Marvel expert, Elijah Kaine, the trio talk about Marvel and how it uses crossovers both in the narrative sense and in the business sense. They discuss everything from the thematic base of Civil War to prognosticating about the upcoming Death of X and Inhumans vs. X-Men. If you want to check out more of Elijah’s work, head to Geek Intellectualist and listen to is DC/CW television recap podcast, Superhero Recap Squad.
Leave your thoughts as comments at forallintents.net. Join the official Facebook page for links and conversations with other listeners. Be sure to subscribe to the show on iTunes and leave a review to help spread the word to new potential listeners.
For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“Iron Man 3” by Brian Tyler (from Iron Man 3)
-“For Shovelry! (Boss Victory)” by Jake Kaufman (from Shovel Knight)
-“Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna” by Carl Orff, conducted by André Previn
WEEK IN GEEK: Andrew checks out PAX West while D. Bethel plays the mobile puzzle games, 1010! and Street Fighter Puzzle Spirits.
THAT’S EDUTAINMENT: Inspired by Japanese: The Game card game Andrew saw at PAX West, Dan and Andrew talk about games made with education in mind. Games like Oregon Trail and Where in the X is Carmen San Diego? are classic examples of educational games done right––fun games that make a cultural impact. So, the question they ponder is: Where are the educational games now? Or has that format morphed into other media?
Leave your thoughts as a comment at forallintents.net. Be sure to join the official Facebook and Google+ pages. Also, to help spread the world of the show, please leave a review on the iTunes store.
For all intents and purposes, that was an episode recap.
-“Stayin’ in Black” by Wax Audio
-“Teach Your Children” by Crosby, Stills, Nash, & Young
-“You Was Wrong” by Freddie King
Last Wednesday saw the release of the newest addition to the Pokémon family of games: Pokémon GO, developed by Niantic, Inc. (formerly, Niantic Labs). Niantic, Inc. was previously known for doing the popular mobile game Ingress. They partnered with Nintendo and The Pokemon Company to apply that GPS/map-based play to the popular Nintendo franchise. Although Dan and I will have more to say about this in this week’s podcast, it was worth taking a moment to address all of the news (both good and bad) that has been popping up over this new title.
Stories about Pokémon GO and the outcome of so many people playing have been circulating around various social media and news websites. In Wyoming, a nineteen year old woman found a dead body while pursuing an elusive pokémon. A police station in Australia has warned players against entering the station in order to collect pokéballs or to catch pokémon that spawn there. A police department in Missouri recently reported that a group of teens have been luring people to a pokéstop in order to commit robbery. But, with all that gloom and doom, there are some brighter notes. A large number of Pokémon GO players have been discovering that they are inadvertently exercising by playing the game.
As could be expected with something this popular, Pokémon GO has had a few awkward moments. Notorious Amazon Kindle “author” Chuck Tingle recently released Pokebutt Go: Pounded by ‘Em All, another title in his (her?) series of erotic (?) fiction. Several websites have been documenting peculiar places that have been designated Pokéstops, including a Los Angeles bathhouse, a Seattle bathhouse with a “mirrored gloryhole maze,” and other odd and inappropriate places. Most of the peculiarities in location data come from the fact that the Pokéstops appear to be primarily based on location data taken from Niantic’s previous title, Ingress; the “Portal” locations of Ingress were user/player submitted. This explains how so many child-inappropriate Pokéstops came to be in the first days of the game.
All in all, Pokémon GO has been making quite a lot of news since its release.