Browsed by
Tag: social media

Land Your Runabout

Land Your Runabout

PREPARING FOR THE ICE AGE: Our hosts have a quick check-in about Twitter, and Andrew shares his early experience on the [possible] replacement, Mastodon.

FRONTIER TOWN IN THE STARS: To round out the last three weeks of Star Trek obsession, our hosts sit down to talk about the premier episode of Star Trek: Deep Space Nine, “Emissary.”

RELEVANT EPISODES:

  • It’s a Fake” (03 February 2017): Where Andrew and D. Bethel talk about the Deep Space 9 Season 6 episode, “In the Pale Moonlight.”
  • Reverent Irreverence” (17 May 2019): Where Andrew watches the Star Trek: Deep Space 9 documentary, What We Left Behind.
  • Aggressive Modulation” (04 November 2022): Where D. Bethel and Andrew share their thoughts about the series finale of Star Trek: The Next Generation.

INFO:

FEATURED MUSIC:

Mighty Morphin’ Paranormal Rangers

Mighty Morphin’ Paranormal Rangers

TWITTER STILL SUCKS: Our hosts take a second to check in on the state of Twitter, recently purchased by billionaire, Elon Musk, and all the strange changes that have been made to the service.

TOS VS. TNG: D. Bethel briefly returns to Star Trek by watching the last original series movie/first Next Generation movie, Star Trek: Generations. It’s…fine.

RELEVANT LINKS:

https://youtu.be/yhPCJB-uTyk
  • Twitter Comes Tumblr-ing Down.” Comic Lab, 10 November 2022. The episode of the excellent Comic Lab podcast (with Brad Guigar and Dave Kellett) where they thoroughly investigate the fall––and fallout––of Twitter.

RELEVANT EPISODES:

  • Alien Control Party” (22 January 2016): Where our hosts discuss previous Digital Eclipse ports in their discussion about archiving old video games.
  • Aggressive Modulation” (04 November 2022): Where our hosts reflect on, and analyze, the legacy of Star Trek: The Next Generation.

INFO:

FEATURED MUSIC:

  • “Yakety Sax” by Boots Randolph
Dating the Void

Dating the Void

ELEMENTARY, DEAR WOHN JATSON: A brief look at an upcoming multi-platform release from Capcom that gathers two Ace Attorney games previously unavailable outside of Japan. The collection, called The Great Ace Attorney, features some interesting localization of characters names. While not unusual in itself, the fact that in Japan a character named “Sherlock Holmes” had to be changed––to “Herlock Sholmes” for release in the United States points to some very strange aspects of copyright law. Andrew dives deep into the mystery.

Image Source: Capcom

CUTTING CUTSCENES: Based on an GamesIndustry.biz interview with Weird West narrative designer, Lucas Loredo, who posits the idea that maybe we live in a gaming world that no longer has a need for cutscenes in games. D. Bethel and Andrew dive into the purpose of cutscenes and do their best to answer the question themselves.

RELEVANT LINKS:

INFO:

FEATURED MUSIC:

ADDITIONAL MUSIC:

Episode 153 – Back Off the Wagon

Episode 153 – Back Off the Wagon

A WEEK IN GEEK: Before things get started, D. talks about becoming mildly internet famous for about a day (the social media accounts of his favorite band, Twisted Sister, shared art he made of each band member). For those wondering, here’s the scene from Pee-Wee’s Big Adventure in which Twisted Sister appears:

INDIE ACCOLADES: Andrew and D. talk about the world of independent creation––mostly games, mostly video games––and how it works in the face of the big corporate franchises discussed for the past few weeks.

WEEKS IN INDIE GAMES: Andrew and D. mention a few indie games that they’ve been enjoying over the last month or so. Andrew discusses his love and frustration with Thomas Happ‘s metaroidvania Axiom Verge and Powerhoof‘s Crawl. D. keeps returning to the existential dread that is noio‘s  Kingdom: Classic as well as to the hilarious existential horror of Kitfox GamesThe Shrouded Isle.

WORKS CITED:

INFO:

For all intents and purposes, that was an episode recap.

FEATURED MUSIC:

-“Disco Medusae” by Kevin McLeod (incompetech.com)*
-“District Four” by Kevin McLeod (incompetech.com)*
*Tracks are licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/