MARVELLOUS DEBUT: A quick check-in with the toxic male comics fandom to start the show. A few weeks ago, Andrew and D. Bethel talked about how proponents for ComicsGate and their robot army were trying to tank Captain Marvel well before it released into theaters with negative scores on Rotten Tomatoes. The hosts just wanted to recognize that Marvel Studios’ newest movie debuted to record-breaking ticket sales, thoroughly debunking and neutering the latest efforts by those who try to gatekeep and, honestly, destroy comics fandom and its associated medium.
A LOT OF GREY AREA: A new trailer for the live-action adaptation of the classic Disney animate feature, Aladdin, went live this week and while the first trailer made Andrew and D. cautiously optimistic, this new one got both of them fully on-board. They talk about adaptations again, specifically from medium to medium (like, in this case, animation to live-action) and why it’s a good thing for adapters (is that the word?) to break with tradition and say something unique even with a beloved property.
- Shortcast 74 – Texas the Rabbit: Where Andrew and D. Bethel talked about ComicsGate’s first attempt to show how comics should be made (and fail at doing so). Also, the RELEVANT EPISODES in the show notes have a comprehensive bibliography of other episodes where ComicsGate was discussed.
- 21st Century Mouse (22 Feb. 2019): Where D. Bethel discussed the live-action adaptation of Battle Angel, focusing on the choices the filmmakers made to bring the story of the manga and anime to a live-action film.
- Empty Justice (01 March 2019): Where the review bombing of Captain Marvel was previously discussed.
- “Boasts of Bethel: Getting to the Point“: Going into the wayback machine, D. Bethel wrote down his thoughts about adapting stories from one medium to another, using the relationship between A Song of Ice and Fire/Game of Thrones as a reference point (spoiler free).
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-“Disco Medusae” by Kevin McLeod (incompetech.com)*
-“District Four” by Kevin McLeod (incompetech.com)*
*Tracks are licensed under Creative Commons: By Attribution 3.0 License