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Episode 129 – Lovecraftian Minus Tentacles

Episode 129 – Lovecraftian Minus Tentacles

WEEK IN GEEK: Andrew muses on cinematic magic of Fantastic Beasts and Where to Find Them while Dan can’t shut up about the podcast, S-Town.

INAPPROPRIATE APPROPRIATION: Dan and Andrew can’t ignore the strange vortex created by the controversies surrounding the cultural tone-deafness of Netflix/Marvel’s Iron Fist, the backlash to the live-action adaptation of Ghost in the Shell, and the recent shifty comments of Marvel’s VP of Sales, David Gabriel, regarding sales and the recent surge of diversity in the Marvel Universe. What the hell is going on?

WORKS REFERENCED:

LINKS:

For all intents and purposes, that was an episode recap.

FEATURED MUSIC:

-“Stayin’ in Black” by Wax Audio
-“The Ghost Inside” by Broken Bells

Episode 127 – Dying Without an Error

Episode 127 – Dying Without an Error

WEEK IN GEEK: Andrew does his best to navigate menus and complex relationships playing Crusader Kings II while D. Bethel gets horribly disappointed while playing Samurai Shodown VI.

A TWISTED LEGEND: The Legend of Zelda: Breath of the Wild has been released to universal acclaim as a launch title for Nintendo’s new console (and as a tombstone for their previous console) but how much is pure nostalgia, how much is hype, and how much is it actually a good game. Well, neither Dan nor Andrew have played it, but with the conversation surrounding the game they do ask a pertinent question, “What is as Zelda game and does this new game meet it?”

For all intents and purposes, that was an episode recap.

FEATURED MUSIC:

-“Stayin’ in Black” by Wax Audio
-“Dungeon” by Bit Brigade (based on music by Koji Kondo)

News Blast: Iron Fist Roundup

News Blast: Iron Fist Roundup

With Iron Fist set to come out on Friday of this week, it seemed appropriate to do a quick round up of all the news and reviews that have been circulating in the previous week. For those who have been distracted by other news, Netflix has released the first six episodes of Iron Fist to a number of reviewers and critics. The response has been … less than was perhaps expected.

“He’s not a human. He’s like a piece of iron.” -Ivan Drago. Image by John Gallagher

From Polygon‘s Susana Polo:

Iron Fist’s problems with its portrayal of Asian cultures and Asian-Americans are embedded throughout every episode. It’s just that its problems with delivering exposition, crafting consistent characters, and even basic dialogue writing run right alongside.

From The Onion A.V. Club‘s Danette Chavez:

Had Netflix rolled out Iron Fist first, its unsteadiness would be forgivable; this is a process, after all. But it’s actually the final step before a huge showdown, so it can’t afford to buckle under the pressure. And yet, with all that riding on it, the first half of the season is just a checked box. Filler episodes are one thing, but right now Iron Fist looks like a filler season.

From The Hollywood Reporter‘s Daniel Fienberg:

Iron Fist feels like a step backward on every level, a major disappointment that already suffers from storytelling issues through the first six episodes made available to critics and would probably be mercifully skippable in its entirety if it weren’t the bridge into the long-awaited Defenders crossover series.

From Business Insider‘s Jethro Nededog:

First, it doesn’t live up to the quality of storytelling found in “Daredevil,” “Jessica Jones,” and “Luke Cage.” Plainly stated, “Iron Fist” is boring.

Of course, it is worth remembering that this is based entirely on the first six episodes. Rumors abound that the seventh episode of the series will be extremely violent. The episode has been rated 18 for “Strong Bloody Violence.” Given the stagnant impressions of the first six episodes, it remains to be seen if episode 7 (titled “Felling With Tree Routes”) is as much a dramatic turn as the portended graphically violent turn.

Given that the Defenders mini-series is already slated for a 2017 release, it’s clear that Iron Fist‘s poor initial reception will not stop the Marvel/Netflix hybrid from moving forward. That being said, it’s unfortunate that the same studio partnership that produced Jessica Jones, Luke Cage, and Daredevil has hit a slump with their most recent offering; whether this should be viewed as a bump in the road or an image of what’s to come is uncertain.