Though it garnered some attention at the end of October when Deadpool director, Tim Miller, left the sequel’s pre-production over “creative differences” with star and the character’s champion, Ryan Reynolds, it seemed to get a bit buried under other high drama news, such as the 2016 election. While this seems to be a trend in the world of comic book movies extending as far back as Edgar Wright’s notable exit from Ant-Man to the constant issues that The Flash movie is having, the Deadpool situation marks an interesting departure from the more traditional artist vs. studio clash; instead, it seems to be artist vs. artist.

An interesting discussion could be had about what made Deadpool the sensation that it was: Ryan Reynolds’ infectious charm and tireless cheerleading for the film or Tim Miller’s unique vision, style, and story (he was developing the script for the sequel at the time of his departure). Arguably, that conversation is a bit irrelevant because, with as large as movie-making teams are and how many pieces that need to come together to get a movie to happen at all, the reality stands in contrast to the binary nature of the argument. If superhero movies are anything, they are not really the place for auteurs. Despite that, this debate seems to be churning forward as the news hit.

This has been bolstered by the most recent news that returning composer, Tom Holkenborg, aka Junkie XL, has also left production as a gesture of solidarity toward Tim Miller. Holkenborg posted the news to his official Facebook page and Twitter feed in a fairly revealing look at his decision-making process. He noted that Miller’s exit caused personal “soul-searching” for his own place within the project, which lead to his ultimate decision:

Tim [Miller] was the driving force behind Deadpool and me getting involved in this amazing project. Deadpool without Tim at the helm just does not sit right with me and that is why I have decided not to be involved in the second chapter.

Apparently, Ryan Reynolds wants the sequel to focus more on the R-rated humor and ground-level aesthetic that the first movie captured, while Miller wanted to increase the budget and emphasize the style and visual creativity of the original film, as well as casting decisions with regard to Cable and X-Force teammate, Domino.

More than the debate as to who has the more valid approach to the sequel, this strife (pardon the X-Force pun) points more to the likelihood that Deadpool was a confluence of luck, earnestness, and creative zeal and was not necessarily a considered and focused creative vision akin to that which Marvel Studios has cultivated under the guidance of Kevin Feige.

Where this leaves Deadpool 2 is not clear. Variety reports that a deal is closing with John Wick director, David Leitch. Casting is still nebulous around Cable, though with Miller’s exit so too goes his top pick of Friday Night Lights star, Kyle Chandler. With Reynolds still on board, Deadpool 2 will no doubt retain much of its initial charm and personality; whether that’s enough will be for the audience to decide.