WEEK IN GEEK: After avoiding the microphones for a week due to disaster-level weather, our hosts return with their Weeks in Geek. Andrew watched Cobra Kai, season 5, and finds it makes a bad movie good. D. Bethel watched people play videogames over on the Nextlander YouTube channel, where they work their way through the incredibly dated, but also incredibly daring point-and-click adventure game, The Beast Within: A Gabriel Knight Mystery (aka Gabriel Knight 2).
“Premature Clapulation” (19 June 2014): Where our hosts talk about the history, legacy, and current state (as of 2014) of point-and-click adventure games.
“The Tainted Lens” (28 April 2017): Where D. Bethel discusses his favorite point-and-click adventure game, LucasArts’ Full Throttle, after it was remastered as Full Throttle Remastered.
“Chekhov’s Honk” (22 January 2021): Where our hosts talk about the first three Karate Kid movies.
“Too Many Johnnies” (05 February 2021): Where our hosts have a big talk about the Cobra Kai series.
WEEK IN GEEK: This week, Andrew endures convalescence by getting a double dose of survival horror, by watching the premiere season of Netflix’s live-action Resident Evil series while also playing through Capcom’s remake of Resident Evil 3. D. Bethel, on the other hand, finds incredible connection in the first game from Blue 12 studio’s Stray.
HAWKEYE BRO: This week, our hosts talk about the most recent Disney+ Marvel show, Hawkeye, while also veering into discussing Marvel’s TV offerings versus their cinematic ones, the importance of continuity, and the MCU overall.
“The Nature of the Gutter” (12 March 2021): Where our hosts and on-the-ground-DC-correspondent, Taylor, discuss the first Disney+ Marvel show, WandaVision.
“Marvel Dance Battle” (30 April 2021): Where our hosts and on-the-ground-Marvel-correspondent, Kyrun Silva (of Taurus Comics) discuss the second released Disney+ Marvel show, Falcon and the Winter Soldier.
“Unbridled Hedonism” (03 December 2021): Where our hosts discuss the controversy about getting more recognition (and compensation) for Matt Fraction and David Aja, the creators whose run on the Hawkeye comic was a clear and overt influence on the Disney+ show.
WEEK IN GEEK: This week, Andrew dives into the strange patchwork origin of Mighty Morphin Power Rangers while D. Bethel is pleasantly surprised by the Netflix series, Sweet Tooth, an adaptation of Dan’s favorite recent comic series by Jeff Lemire.
WEEK IN GEEK: It’s an animated kind of week this week as Andrew gets his specific Star Wars fandom ignited with the premiere of the new Disney+ animated series, Star Wars: The Bad Batch, and D. Bethel nerds out on all the ingenious choices and animation tech found in the new Sony/Netflix film, The Mitchells vs. The Machines.
ELEMENTARY, DEAR WOHN JATSON: A brief look at an upcoming multi-platform release from Capcom that gathers two Ace Attorney games previously unavailable outside of Japan. The collection, called The Great Ace Attorney, features some interesting localization of characters names. While not unusual in itself, the fact that in Japan a character named “Sherlock Holmes” had to be changed––to “Herlock Sholmes” for release in the United States points to some very strange aspects of copyright law. Andrew dives deep into the mystery.
CUTTING CUTSCENES: Based on an GamesIndustry.biz interview with Weird West narrative designer, Lucas Loredo, who posits the idea that maybe we live in a gaming world that no longer has a need for cutscenes in games. D. Bethel and Andrew dive into the purpose of cutscenes and do their best to answer the question themselves.
YOU’RE THE BEST: With Cobra Kai recently releasing its third season, many viewers have been inspired to watch (or rewatch) the original The Karate Kid films. Two of those folks happen to be our humble hosts. As a prelude to an eventual discussion about Cobra Kai, Andrew and D. Bethel discuss The Karate Kid, The Karate Kid Part 2, and (briefly) The Karate Kid Part 3.
WONDER WOMAN TO THE MAX: It was announced, in an unprecedented move by a streaming service, to release Wonder Woman 1984 on Christmas Day to both theaters and HBO Max subscribers simultaneously. Unlike Disney+ with Mulan, Wonder Woman 1984 will be available to all HBO Max subscribers at no additional cost for a month. Andrew and D. Bethel discuss this move and how it relates to how Disney has been doing business, as well as what it means for movie in the future.
WEEK IN GEEK: It’s kind of an accidental ’80s week as Andrew watches the YouTube Premium/Netflix series, Cobra Kai––which then prompted him to go back and watch the original Karate Kid movie––while D. Bethel, in an effort to see what all the hype was about, sat down and watched a version of the 1984 sci-fi classic, Dune.
THE NEW FINAL: At this week’s PlayStation 5 event, a trailer for Final Fantasy XVI was revealed as an exclusive (at least for the moment) for the PS5.