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Dulce Et Utile

Dulce Et Utile

THE DELONGATED MAN: Actor Hartley Sawyer has been fired from his role as Ralph Dibney––the civilian name for The Elongated Man––after racist and misogynist tweets he made years ago once again resurfaced. Andrew and D. Bethel discuss accountability in the world of social media and the permanence of internet publishing.

WotC RESHUFFLES: Magic: The Gathering publisher, Wizards of the Coast (WotC) announces it will be retiring old cards with clear racist imagery and implications from circulation.

RELEVANT LINKS:

RELEVANT EPISODES:

  • “A Casualty of the Rhyme” (22 May 2020): Where Andrew and D. Bethel––guided by resident DC expert, Taylor Katcher––talk about the news of Ruby Rose leaving Batwoman after the first season.

INFO:

FEATURED MUSIC:

Worth a Look: Luke Cage Edition

Worth a Look: Luke Cage Edition

Marvel/Netflix’s Luke Cage has a lot of people talking a mere week and a half after being uploaded to Netflix’s servers, and for good reason. While ostensibly linked to the more popular popcorn faire that is the “superhero genre” of films created by Fox, Sony, Warner Bros., and Marvel over the last sixteen years, Netflix has done more to push the genre forward and upward with its four seasons of shows than has really been done since The Dark KnightLuke Cage alone has elevated the discourse in our popular culture to the point where the greater populace can not only talk about blackness in America, but it’s getting white America to listen to conversations about blackness in America. The last time a live-action superhero production instigated a larger conversation about deep-seated issues in America was not this summer’s Captain America: Civil WarBatman v. Superman: Dawn of Justice, nor X-Men: Apocalypse, but last year’s Jessica Jones––a Marvel/Netflix (Martflix?) show. Like Jessica Jones before it, Luke Cage approaches its issues in a variety of incredibly subtle, as well as not so subtle, ways, but the fact that it’s approaching them at all––and giving these issues narrative prominence––sets it apart from most other entries in the genre.

source: BlackNerdProblems
source: BlackNerdProblems

Perhaps it’s the fact that I’m an English teacher (albeit not one of Literature, but of Composition and Rhetoric), but I noticed right away how many books dominated the show (at least in the front half––I’m not quite done with the season yet as of this writing) and how diverse Cage’s tastes were––in terms of race, sure, but also in terms of genre.

Dr. Tara Betts briefly discusses the books given center stage in the show, but expands that view into a full reading list that addends and complements the show. Some are a bit jokey (the Where’s Waldo? choice), others are referential (picking a Geoffrey Canada book since the writer was referenced by Cottonmouth at one point), and others are thoughtful on a pedagogical level (Acres of SkinCutting Along the Color Line), all of which could be used to describe the show itself.

Like I did for the “Worth a Look” about Stranger Things, I’m featuring this article even though I didn’t read it yet because it boldly sports a spoiler warning, and I––wishing to hold onto some aspect of nerd integrity––want to watch the rest of Luke Cage clean.

source: iO9.com
source: io9.com

Evan Narcisse’s article is presented as a dialogue between four writers discussing the major cultural issues as presented and challenged in Luke Cage. In fairness, many articles have been written about this aspect of the show, but this gathering of different points of view on the same subject is an attractive and important approach. Especially as a white dude from the coast of California––and as a teacher––it’s these discussions that I need to find and listen to.